A Quote by Mstislav Rostropovich
I know that after my letter there will be undoubtedly an 'opinion' about me, but I am not afraid of it. I openly say what I think. Talent, of which we are proud, must not be submitted to the assaults of the past.
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Darling, You asked me to write you a letter, so I am writing you a letter. I do not know why I am writing you this letter, or what this letter is supposed to be about, but I am writing it nonetheless, because I love you very much and trust that you have some good purpose for having me write this letter. I hope that one day you will have the experience of doing something you do not understand for someone you love. Your father
Yes, I am proud; I must be proud to see Men not afraid of God, afraid of me.
The quandary of many liberals in America and elsewhere is that they have largely outgrown patriotism but are afraid to face this fact. They are afraid to be called unpatriotic. They are even more afraid to come out openly and say "I am not a nationalist, I don't give a damn about my country. For me, there are no countries, no sides - only the side of humankind."
I am interested in the past. Perhaps one of the reasons is we cannot make, cannot change the past. I mean you can hardly unmake the present. But the past after all is merely to say a memory, a dream. You know my own past seems continually changed when I am remembering it, or reading things that are interesting to me.
You wrote me a beautiful letter, I wonder if you meant it to be as beautiful as it was. I think you did; for somehow I know that your feeling for me, however slight it is, is of the nature of love... When you tell me to come, I will come, by the next train, just as I am. This is not meekness, be assured; I do not come naturally by meekness; know that it is a proud surrender to You.
I am not afraid that the people called Methodists should ever cease to exist either in Europe or America. But I am afraid lest they should only exist as a dead sect, having the form of religion without the power. And this undoubtedly will be the case unless they hold fast both the doctrine, spirit, and discipline with which they first set out.
Letter-writing I imagine is counted as 'work' from which you must abstain, and I scribble this letter simply from the self-satisfied notion that you will like to hear from me. You see, I have asked no questions, which are the torture-screws of correspondence. Hence you have nothing to answer.
As a producer, the only thing you have is an opinion - and if you don't trust your own opinion, then everything becomes vanilla. And for me I always say this to my producers, 'If you're not sure what to do, just ask me.' I'm not smarter and it's not that I know better, but I've probably already made that mistake. As far as TV goes, a lot of it is just troubleshooting and dealing with problems that come up. So that's the message for the younger kids coming up: don't be afraid to say, 'I don't know,' cuz' that's the smartest thing you can say.
All I feel are the assaults of apprehension and terror at the thought that I am the only one who is entirely unlike the rest. It is almost impossible for me to converse with other people. What should I talk about, how should I say it? - I don't know.
I must first know myself, as the Delphian inscription says; to be curious about that which is not my concern, while I am still in ignorance of my own self, would be ridiculous. And therefore I bid farewell to all this; the common opinion is enough for me. For, as I was saying, I want to know not about this, but about myself: am I a monster more complicated and swollen with passion than the serpent Typho, or a creature of a gentler and simpler sort, to whom Nature has given a diviner and lowlier destiny?
You know, failure hurts. Any kind of failure stings. If you live in the sting, you will - undoubtedly - fail. My way of getting past the sting is to say no, I'm just not going to let this get me down.
I got a letter one day from somebody saying, `You're always criticizing the press. Why don't you talk about what Clay Felker is doing to your own paper [The Voice]?' And my 10-year-old son Tom, now with Williams & Connelly, put in a legal opinion, not - an opinion from the back of the car saying, `You know why? What are you, afraid?' So I wrote the column. I - you know, - the column simply said that Felker is destroying this paper.
...making profits is important because it keeps all our people in jobs and, you know, it keeps what we - what we've created going, but, you know, what we're - what I get my - what I'm proud about doing is creating companies which we're really proud of, you know, which we can really be proud of and a byproduct of that hopefully will be that they'll be profitable and be able to pay the bills.
We tell lies when we are afraid... afraid of what we don't know, afraid of what others will think, afraid of what will be found out about us. But every time we tell a lie, the thing that we fear grows stronger.
I don’t know what to do,” Will said. “Mortmain has taken Tessa, and I believe now I know where she might be. There is a part of me that wants nothing more than to go after her. But I cannot leave Jem. I swore an oath. And what if he wakes in the night and finds I am not here?” He looked as lost as a child. “He will think I left him willingly, not caring that he was dying. He will not know. And yet if he could speak, would he not tell me to go after Tessa? Is that not what he would want?” Will dropped his face into his hands. “I cannot say, and it is tearing me in half.
I am not afraid to keep on living. I am not afraid to walk this world alone. Honey if you stay you'll be forgiven, nothing you can say will set me going home.
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