A Quote by Beanie Feldstein

'Elizabeth' doesn't feel related to me at all. — © Beanie Feldstein
'Elizabeth' doesn't feel related to me at all.
I want people to ask me how I feel about the world, or what is my day about, and ask me a question that's not just related to food, but that's related to me being a person: Someone that's vulnerable, someone that has ideas and someone that wants to learn more.
It's true; I have a skill and it's... it has not related to acting, it's not related to auditions, it's not related to studios, not related to public whim. It's whether I'm funny or not and whether I can entertain people.
I feel like I've got the skills to be at the top, I feel like I've got the mind-state, so basically what I'm saying is there's people all around me, there's artists all around me that are in my zone, but I still feel alone. I feel like I can't relate to them as much as I can related to maybe somebody that was a little bit higher up.
His gaze held hers, and his voice was tender and rough. “Love me, Elizabeth.” Elizabeth felt a tremor run through her entire body, but she looked at him without flinching. “I do.
I don't personally feel any association with a kind of culture related to state, or culture related to power, which I think is always disgusting.
It is satisfying for the descendant of a dissident refugee from Elizabeth I to present his credentials to Elizabeth II.
Of course I had written a film about Elizabeth I, and I loved the Tudor period, and I think at the time Working Title and I had debated on whether to do Elizabeth I or Henry VIII. I'd always wanted to do Henry VIII. Like Elizabeth, I'd had this feeling that it had never properly been addressed.
Elizabeth is smart, ruthless, and emotionally damaged ... [i]f Elizabeth's brain was a person, it would have scars, tattoos, and be missing one eye.
You know, not even your British Queen is called just Elizabeth - she's Elizabeth the Second. There's only one Imelda.
I have all of Elizabeth Lowell's first editions. I love these books. They are among my most treasured possessions. I have carried them in boxes through college, law school, apartments and then houses. They have seen me through my darkest moments and inspired me to my greatest joys. I sometimes get scared thinking what would have happened to me if I hadn't started writing. I literally cannot imagine another life. And Elizabeth Lowell played a huge part in getting me on the right path.
I certainly like the rumour that I was the father of Elizabeth Hurley's baby. It made me think I could impregnate women in a different way to everyone else. Elizabeth and I were never alone in a room together, so I must be a very powerful man indeed. Actually, I'm thinking of suing the baby!
I don't follow trends - it's more of an instinct thing. Honestly, I'm kind of my own worst client. I wake up and go, "I have nothing to wear!" But that's what makes it interesting. I ask, what would make me feel good? I think it's a constant challenge because clothes are so personal. For me, my clothes are related to my mood. If I feel like I'm not wearing the right thing, I don't feel confident. I think it's in everybody's psyche.
The most moving scene for me in 'Pride and Prejudice' is the Pemberley music room scene: Elizabeth has just saved Darcy's sister from embarrassment and confusion, and as the music plays on, Darcy's look of gratitude becomes a look of love, which we see reciprocated in Elizabeth's eyes.
Like the Elizabeth I play, Queen Elizabeth is a monarch who actually moves with the times. She gets new information, assimilates it, and changes in order the fit in with the way the world is moving. I admire that.
Burleigh, absolutely; and a lot about Elizabeth. I mean I found when I play Henry V a lot of connections with the hidden history of the connection between Francis Bacon and Elizabeth.
Before I was abducted, I think that happiness was related to success. Nowadays happiness is related, for me, to rest, peace, serenity.
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