A Quote by Beanie Feldstein

Broadway is such a beautiful community, both with the people who do it and the people who go see it. — © Beanie Feldstein
Broadway is such a beautiful community, both with the people who do it and the people who go see it.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
It took me a while to figure it out, but to have a real hit on Broadway, you have to get the respected Broadway people to like it. But then the production also has to appeal to the most middle-class people who know nothing about Broadway and who come to see it later.
The Broadway community is unlike any community in show business and it is unlike any community in the world. When you come into the Broadway community they open the door and they say "welcome". Not only do they do that, but when times are really tough and horrendous things have happened and really tragic things - the Broadway community shows up! And they say "how can we help?".
People see a lot of huge stuff on Broadway, but there's always Off-Broadway energy and also shows that you can work in.
There are lots of young vital playwrights who are experimenting, and these are the plays that people who are interested in the theatre should see. They should go off Broadway. They should go to the cafe theatres and see the experiments that are being made.
I have this huge, huge fan base of people who've never seen a Broadway show, but I think it's a great introduction to what Broadway is because my shows are not that. I think that if you're getting people to go to theater then somebody should be celebrating that.
The Broadway community means the world. That goes for the actors, that goes for the crew, the producers, the writers, and most importantly, that goes for the fans. The Broadway community is one that I will always hold very near and very dear to me.
The concepts of community and community life, have since the Dreaming, always held special significance for Aboriginal people because both provided the physical, cultural, spiritual and social environments, which supported children, young people, families and the aged.
I don't see myself only as a member of the New Orleans community. I see myself as a part of the human community. I see myself as a part of the community that's trying to put things in the world that add value to people's lives.
My passion was to be on Broadway and to be part of this community because I saw what it was like from the outside as the young kid in and around New York, and I would see things like the 'Easter Bonnet' or 'Broadway Bares,' things I would sneak into.
As I've gotten older and I've watched people in productions, I go to the theater when I go back to London and see friends in Broadway, I think maybe there might come a time here to get back up there and prove oneself. It's just an itch; it's a nagging itch to go back there.
It's probably my favorite part of my whole showbiz experience, is Broadway. The community of Broadway. That feeling that happens every night.
If people take the fight for justice seriously in their own country and with partners and immigrants in their community and folks in the international community, I believe that we will see human rights for all people affirmed.
For a while, people couldn't understand why I'd find them so fascinating, but I'd rather go to a trial than to a Broadway play. Now that we have Court TV, they see what I mean.
Twitter was an alternative community for me. A different kind of community. I knew I was making people angry. But it didn't matter, they weren't my community. But the longer I was on Twitter and the more I came to know these people, to like and respect them, the more I could see the empathy and grief and sorrow they were expressing.
I've been in leadership roles on Broadway, and it's one thing to lead a Broadway company - you're with those people for a year straight, and you're doing that same show, eight shows a week. It's quite another when you carry on the story... You go beyond that, and you ride the wave of a character.
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