A Quote by Nasser Hussain
A captain has to be able to look a player in the eye before he starts his run-up or goes out to bat.
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When I look at someone like Andrew Symonds, I see a player who has done phenomenally well with the bat, as his record shows. He certainly has the ability to be a very good all-rounder, but I think to be a great one, you need to be able to turn a game with the bat or the ball.
I faced odds when glaucoma took the bat out of my hands. But I didn't give in or feel sorry for myself. I've said it before, and I'll say it again: 'It may be cloudy in my right eye, but the sun is shining very brightly in my left eye.'
When you're facing a different guy every at-bat, he's coming at you with his best stuff. There's no warm-up; there's no 'see a pitch.' You've got to be locked in from the very first pitch... The biggest thing is do your homework before the game starts.
As a player, you always want to know what you can do. At the end of your career, you can look back and say, look, I was able to get this much out of my playing career and I was able to become this type of player. I think that's what allows you to sleep well at night.
If a pitcher goes up there and he's throwing a ball and it's a breaking ball down and away or a fastball up and in, a perfect pitcher's pitch, and you're able to just foul it off and stay alive in the at-bat, just keep grinding, keep working through the at-bat and hoping for that mistake that he's going to make. And if he doesn't, then you walk.
Before the days of video village a director should stand right next to the camera, look with his naked eye and if he sees something that is real to him, he'd look up at the [camera] operator and if he gives the look to indicate he'd seen it to, then you print and you'd move on.
Sometimes I go to a test screening and look at the audience in line, and I start to go, "Okay, I bet this is going to work, and this isn't going to work." It's weird, but just going and facing the music and putting it out before a crowd, even before it starts playing, that exercise of putting it up on a screen for people makes you realize things even before it starts rolling. It's really weird. I've heard other people say that, too.
When he at least reached the door the handle had cease to vibrate. Lowering himself suddenly to his knees he placed his head and the vagaries of his left eye (which was for ever trying to dash up and down the vertical surface of the door), he was able by dint of concentration to observe, within three inches of his keyholed eye, an eye which was not his, being not only of a different colour to his own iron marble, but being, which is more convincing, on the other side of the door.
As a captain, you sit on the sidelines and it's evident the best place to bat is up front.
As an actor, you're lucky if you get a month before a project starts. There are times when you get a day before a project starts. So to be able to really sit and inhabit that mind and the story is really beneficial, and it really helps for me to be able to then compartmentalize as we're shooting and detach and go somewhere else.
Everybody's fast and strong, but to go out there and throw pass-rush moves or be able to do something different on the run to get them off balance. Anybody can run into somebody, but if you can shake them a little bit at the line, that's what's helped me out as a player.
Harry Kane's a player I really look up to. You look at his goals, his finishing, and all aspects of his game.
As you climb of the organizational ladder, you have to redefine your role in the value chain from player to captain to coach to manager, and for some, to owner. These are different roles and you won't be able to succeed as a manager when you're acting like a player.
But who does not see that the work goes beyond the one who created it? It marches before him and he will never again be able to catch up with it, it soon leaves his orbit, it will soon belong to another, since he, more quickly than his work, changes and becomes deformed, since before his work dies, he dies.
The first show I ever saw was Meat Loaf, and it was on the Bat Out of Hell tour. Meat Loaf actually had a huge 20-foot bat behind him. Smoke came out of the bat's nose and his eyes glowed red - which is still one of the most mindblowing productions I've ever seen.
Knowing his coach likes him is more important to a player than anything else. To me, it was important to be able to chew out a player for screwing up and for him to accept it because he knew I liked him anyway.
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