A Quote by Natalie Dormer
When you play a real person, you feel a sense of responsibility that obviously you don't feel when you're playing a fictional character.
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If you're playing a fictional character, you can create a character, you can sort of take certain liberties. And when you're playing a real person who's actually standing there watching you, you know, it's - you do feel a weight. You know, you feel an obligation to not only be - to give the best performance that you can, but to make sure that you represent this person.
You feel a huge sense of responsibility when you're playing a real person.
It's more difficult playing a real-life person than a fictional character - you can go easy on yourself with a fictional character.
I love playing real people. It's a huge challenge and responsibility which I take on board and which I relish. It also scares me to death. Give me a totally fictional character and I don't have the same sort of responsibility. If, though, I play Sigmund Freud or Robert Maxwell or whoever then there is a responsibility.
I really feel a sense of responsibility first as a creation of a force that I call God, that's bigger than myself. And because I'm black, I feel the responsibility to that. I feel the responsibility to my womanness. But more importantly, I feel a responsibility to my humanness.
There is a sense of responsibility when you play a real-life character because there are people who will see your work, make comparisons, and judge you. They have all the rights to do that because they know the real person. They might have seen that person also.
When you're in the head of the character, you feel less self-conscious. If I was just being me, I would feel so exposed and be like, 'Why is there a huge camera in my face?' But, when you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
There's always mixed feelings about the work that I do. When you're playing a real person, that's another kind of responsibility. I have to say that every time that I have played a real person, even though I gave it everything I could, I feel like I misinterpreted trying to represent them. All the time I feel like I screwed it up! But I don't know if that's because I can't separate myself from it enough.
For me, there's always a huge attraction in playing real people. But with it comes an incredible sense of responsibility because you're playing a real person in a real event.
It was a tricky part to play, because Herriot is both a fictional character and a real person.
My approach is always the same. I try to be as honest as possible. Find the real honesty and humanity in the character because even a fictional character is supposed to feel real. And my job is to find that reality and bring it to the screen.
You want to come in and prove yourself early. Obviously, it is a responsibility being drafted that high to come in and play well and to make an impact. If not, youre going to get cut. So you have to come in, make the team, have an impact and do something special. And I feel that, obviously, internally. I feel an obligation to myself to do that but obviously the organization, the fans, this community. I mean, they dont want to see a first-round draft pick be a bust, so I feel I have to come in and hopefully make an impact early.
In real life I'm obviously a lot more shy, but once I'm on set and in costume and I'm hidden behind the person I'm playing I feel quite free to experiment.
When I was playing for Real Zaragoza, I had the responsibility that I was playing for the club that I support and that I love. When I was playing for Athletic Bilbao, I was feeling the responsibility to play for the most special philosophy in the world, which is only playing Basque people.
For me, the political part of being an actor is very tough. To sit somewhere and tell somebody why you should feel this way or that way about my character does not feel like my responsibility. It feels like the responsibility of the writer and the person who created it.
I find that if I hold your hand, it transfers an energy first. I have a sense of how you feel. That's important to me trying to become another person. I have a lot pressure to bring a character to life in any kind of real sense.
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