A Quote by Natasia Demetriou

They are cheaper to make and easier to do; you can just cram in loads of talent into a format that works and works. But if you look back, a lot of people we love today like French and Saunders, Ricky Gervais and Steve Coogan, all started in sketch shows.
There are a lot of people who I look up to. I like what Ricky Gervais does, I also like Ron Howard. It's probably never going to happen, but if I had to pick a couple people, those are two.
When people tell me they're trying to meditate, I always know they don't have a format yet that works. I encourage a real meditative format that you use daily, because meditation is incremental and it only works if done every day.
It's funny how comedy is, you look at people like French and Saunders, when they started out they were very alternative. A lot of those alternative comedians have ended up being mainstream, they know that longevity is about being mainstream.
When they asked me, 'Do you want to work on Ricky Gervais' new series?' did I say, 'Hang on, I'll have a think about that. I'm very busy at the moment. I've got to do a gig above a pub for 10 quid tonight?' Of course I didn't! I said, 'Yes, please! It's the new Ricky Gervais show, for God's sake!'
I wouldn't swap the era I competed in for anything, not a day of it. I started out as an amateur, and people like myself, Seb Coe, Steve Ovett, Steve Cram, Tessa Sanderson and the rest did it for the glory of winning medals for our country.
Comedy is really my passion. I started out way before television doing sketch comedy with other women. Very much along the lines of, at the time it was 'Sensible Footwear', but now it's 'Smack The Pony', 'French And Saunders', that kind of thing. That's how I started out.
Some of my favorite shows are Ricky Gervais' 'Extras' and 'Curb Your Enthusiasm.'
Knowing that Ricky Gervais will never work again means a lot to me. I'm going to make sure of it.
On a daily basis, you're working with Steve Carell; you're not working with Ricky Gervais. You try a line, and you can't be writing for David Brent. You have to be writing for Michael Scott because Steve is Michael Scott.
If you decide to move to L.A. like, 'I'm just gonna see if it works, and if nothing works I'm gonna go back in a year, two years' - very, very few people with that attitude are successful. You need to make a commitment to this and say, 'This is who I am, and this is what I do.'
My parents have a ridiculous work ethic; my dad just works, works, works, works, works. I think it would be hard to find a guy who's logged more hours than that guy.
Yes I have made a lot of money and I have a lot of respect, my films have done well, and I know there are loads of loads of people who look up to me and really love me. I really just thought this is like a strange dream. I have never thought this is a success - I don't have a standard.
A lot of the stuff I've done is inspired by the location. Usually my works are pretty site-specific. There are a lot of shows that are older works, but often when I do new work for a show, it tends to talk to the space or the idea of the museum.
I don't want to do many panel shows. I'm a comic actor, not a comedian. There would be something wrong in Steve Coogan or Julia Davis doing panel shows all the time.
Dating shows should exist for people who aren't straight. They're out there, there aren't enough of them. Whether you try and squeeze a format that already works into something else. I don't know.'
Marches work, rallies work, civil disobedience works, direct action works, voting works, writing letters works, speaking to churches and schools works, rioting works.
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