A Quote by Nate Ruess

I think our particular sound has come by just not adhering to any specific sound. For us, it's about the song, and being able to fit in to what is appropriate. When we sit down, we're not talking about what type of band we're gonna be within a specific genre - there's a uniqueness to all of us individually that throws putting anything in a box out the window.
I don't really think there's a genre that we couldn't do, but it wouldn't sound like that genre, if that makes sense. I think we could take any song, but it would sound like us. If you're doing a country song, it could maybe sound a little bit country, but it's going to sound like Pentatonix.
I think I'm always conscious of not letting things fit into a specific box. Being a filmmaker and trying to chart a career, you never want anyone to be able to pigeonhole you into one specific thing.
I’m a really big believer that we all have this voice inside of us, and that voice is God talking to us, and we are all magical, and we all have something as specific to do as our fingerprint. And everybody should go out and do that. And I think between the ages of 15 and 32, don’t worry about getting married, don’t worry about settling down, don’t worry about having a baby. Give birth to yourself.
What a photograph shows us is how a particular thing could be seen, or could be made to look - at a specific moment, in a specific context, by a specific photographer employing specific tools.
We needed to make a sound that's not gonna fit in with everything else - we wanted to make something that was completely unique and individual to us. We spent a lot of time trying to make a sound that was a One Direction sound. At first it was quite hard to do that, but I'm really happy with the sound.
Genomics are about individuals. It's about what's specific to you, not your siblings, not your parents - each of us is totally unique. We will only see that uniqueness by drilling down to the genetic code.
Most people think that intelligence is about brain, where really it's about focus. Genius is just attention to a subject until it becomes specific, specific, specific.
What is it about our specific belief in God and His wishes that makes us so angry at the specific beliefs of another? What is it about the teachings of our respective deities that makes us more right than the next person? Or more wrong?
Maybe you have a particular type of sound you want to go for, but if you really want to be original, there's no real recipe for that. For me it's just about letting it come to you... if you can let your head clear out, then almost anything is available.
One of the huge advantages of shooting in the winter is that locations that wouldn't have been available to us suddenly were, like Yorkville. ... It's just specific streets and specific angles. I think that's what's always kind of shocking about some cities: they are really about intersections.
I think artists are aware that talking gives a songwriter so much material. If they just tell us what's happening, it's so much easier for us to write a song that's specific to them.
What causes [fragmentation] if not a need to act that specializes us and limits us to the horizon of a particular activity? Even if it turns out to be for the general interest (which generally isn't true), the activity that subordinates each of our aspects to a specific result suppresses our being as an entirety. Whoever acts substitutes a particular end for what he or she is, as a total being.
We don't want to box ourselves within any type of genre, you know? Whatever feels good, if it moves us and we like it, we get on it and make it our own. That's what we do.
Artists are creating their own genre sound, and other artists are building upon that sound and already creating a huge subculture created around one particular sound created by one artist. So, with all that happening, the genres are going to break down, and there's going to be a multitude of sound coming out.
When we sit in meditation and hear a sound, we think, 'Oh, that sound's bothering me.' If we see it like this, we suffer. But if we investigate a little deeper, we see that the sound is simply sound. If we understand like this, then there's nothing more to it. We leave it be. The sound is just sound, why should you go and grab it? You see that actually it was you who went out and disturbed the sound.
When I think of Morricone, more than his using a specific instrument or a specific sound, it's his way of approaching music that sticks out.
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