A Quote by Nathan Fillion
I relate to those characters - and any character I play - in as much as I put myself in their positions and feel how I would personally deal with their experiences.
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Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.
With every character you play you're always trying to put facets of yourself into those characters. I think Asher, at the beginning of The Giver, when he's goofy and a little bit of a rule-breaker, a little bit of a jokester, I align with him. But then he kind of transforms throughout the movie and becomes someone I don't necessarily relate to. I relate to Adam McCormick's sensitivity. He's more quiet and introverted, and I definitely have those moments as well.
I don't consider myself a competition to anyone. There is ample space for everyone here. When there are directors who create characters for me, why should I feel bothered or insecure? When it comes to updating myself, I work very hard to relate to the emotions of characters I play.
I try to play characters who are different from myself, so I feel like this character is someone who is really different. I actually think that if I did what he did in this movie, I would get a restraining order put against me.
Left to myself, I would only play an Indian. But the reality was that there were hardly any Indian characters I could play in the films made in England and Hollywood. So I had to learn how to disappear into a variety of characters.
I think the universal themes of "American Pie" are what make it attractive to everybody. How to people relate to these characters? It's because these five male characters in this movie wouldn't ordinarily be in the same friend group and they each have their own part to play in the whole thing. There's a character for everybody in this movie that they can relate to... that they either were or knew someone that was. To cover the range like that is pretty unique to our franchise.
I think all three of those men [James Mattis, Mike Pompeo and Rex Tillerson] that you just mentioned, depending on what deal was struck with Russia, depending on what terms the deal would have and what incremental steps we would have to take and measurements that we would have to take with potentially Russia in a deal, some of those positions could change, and some of President-elect Donald Trump's positions could change depending on what deal could be struck.
I like playing a variety of characters. I feel like I've been able to play different kinds of characters - I've done a lot of period pieces - but I've never had to play the same type of character too much.
The type of acting that I'm interested in, that I aspire to, is where I try and drag a lot of myself into whatever character it is. They can be very different types of characters, but at the heart of it, I always wanted to be a very, very believable and rooted in reality. One of the ways of doing that is to root it as much as you can in your own experiences and then tint those with different hues, different colors to give the different characters their way.
I personally always have a hard time relating to queer characters in media because I didn't really see myself in them. They were kind of pigeonholed early on as the gay character, and they would naturally end up with the other gay character who would emerge at some point as their love interest.
I definitely did not play myself. As the writer of the script, I have traits of all the characters. I can relate to all of the characters.
A lot of my songs are about things that concern me personally, not a heightened version of myself or any of the characters that I play.
I think it's touching that the fans feel so close to the characters that they feel personally hurt. I've felt that way in plenty of TV shows - 'Game of Thrones,' 'Mad Men.' How could they do that to that character? That's drama.
I'm always interested in the ways in which a character can inhabit either a theme or a premise personally, so that those scenes that are about his character or his relationship with other characters feel in context and don't seem to be apart from or oddly vestigial to the actual drama.
I want to play characters that people relate to, characters that make different kinds of women in society feel represented.
That was always something I remember, playing in loads of different positions when I was younger, and learning about what it takes to play a right-wing role, or holding midfield, or as a striker. I had a lot of experiences in those different formations and positions.
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