A Quote by Nathaniel Rateliff

I've always loved soul, R&B, doo-wop and blues, and I've wanted to make a record like that for years. — © Nathaniel Rateliff
I've always loved soul, R&B, doo-wop and blues, and I've wanted to make a record like that for years.
'Doo-wop' is a very special word for me. Because I grew up listening to my dad who, as a Fifties rock & roll head, loved doo-wop music.
The first time I recorded without Allen Toussaint, I wanted to do doo-wop. Everything I've done since then has got some kind of doo-wop essence in it.
I've been into every doo-wop there is. I think I went to the university of doo-wop-ology.
Doo-wop was full of blues for me.
I always liked jazz. And my people liked the old blues, race records and the doo-wop and all that.
Doo-wop is the true music to me, man. Doo-wop was what nurtured me and grew me into who I am, and I guess even when I was in school, the teacher probably thought I had ADD or something every day, because I'd be beating on the desks, singing like the Flamingos or the Spaniels or Clyde McPhatter or somebody.
I did have my beginnings in doo-wop music; I had a group called the Tokens in Brooklyn. They went on, of course, to do 'The Lion Sleeps Tonight' and a lot of other great things. I went on as a soloist. But I still love doo-wop music.
I was singing doo-wop on the corner under the streetlight with four other guys when it wasn't called doo-wop. We just got together and sang, so that music is inside of me. It's a lot of stuff that has been rolling around in here and becoming this compost and has made me who I am as a singer.
My roots are in everything from doo-wop and blues to the Four Freshman and the Beach Boys and jazz and electronica. But it was put together in a deceptively simple package.
You could split hairs and bring up words like 'doo-wop' and terms like 'soul' or 'R&B', but I think pop music is what you want it to be - that's why it's pop.
I'd always wanted to make a record with Jim Dickinson, and I'd known about his boys for years, ... He reminded me that when they were 13 or 14 years old they had a punk rock band and I'd called him and wanted to make a record with them then.
I used to listen to so much doo-wop, and I've talked a lot about gospel music, but I realised a lot of that language came from doo-wop music. You know, "I Asked the Lord Above," "Heaven Sent Me an Angel." That's rock-'n-roll, and that's where a lot of this language is coming from. Also, I've said before that as soon as you start having a conversation with Jesus in a song you know you're dealing with issues of morality and how fragile it is to be human. It's a shortcut to putting those ideas across.
I was making all my own beats, and I really liked sampling stuff, like old '50s and '60s pop and soul and doo-wop records. I was chopping those up and putting loops and drums on them and just rapping over them.
When I first got into the music scene, I was inspired by different songwriters. I like to dress from the '50s and '60s. I like to paint a picture of that era through my music and clothes. I am inspired by a whole a lot of things, from doo-wop to gospel and soul music.
Even though I loved the Fifties doo-wop, you couldn't hold on to it. You had to change, or you was gon' be antique real quick, like the Ink Spots. And then we were at Motown and you had the Rolling Stones, simple rock & roll became the new thing.
'Soulfire' is a collection of stuff I've done in the past. Each song is an element of who I am: There's a doo-wop song on the album; a blues song, R&B and some jazz. For people who are going to be hearing me for the first time, it's an introduction to who I am.
This site uses cookies to ensure you get the best experience. More info...
Got it!