A Quote by Ne-Yo

A lot of times, when artists are rushing to put out projects, it's on some financial tip because they want to make money. But for me, I'm not in any rush. — © Ne-Yo
A lot of times, when artists are rushing to put out projects, it's on some financial tip because they want to make money. But for me, I'm not in any rush.
Its very important to me to be respected by true talented artists and great minds than by the masses who need to be told how to think. Its more important for me to do things that are spiritually rewarding because that wealth is what makes me feel alive. I do not touch projects that do not yield personal fulfillment, or put me in a field with talent that is over-measured. You wont find me where there is no Truth. And Im not one to jump on any bandwagons or join a gold rush without a purpose. Id rather create my own projects and grow my own fields.
A lot of times, I relied on connections through my agency, just for financing and things like that. Even when I'm looking for a million and a half dollars to do a small film, there can always be hold-ups, because it's a large amount of money for some people, and it's a small amount of money for other people. In any case, it's significant enough to where you have to jump through a lot of hoops to get it to happen. Sometimes, the people who are helping you can drop the ball. And, of course, the reason agents want you to do bigger projects is that they make a bigger cut.
The financial time frame always has been short-term. Projects with long-term paybacks are cut back, because CEOs and financial managers simply want to take their money and run. That is the financial mentality.
When I was young and didn't have money, I liked gambling because winning and losing was fun for the rush of it. The amount of money that I would have to put down now to get that rush, there is no f'ing way I'm going to do it. It's just stupid. I would rather get that rush some other way.
In business, you're trying to make a buck. God was good to me and blessed me. I made some money and started this foundation years ago, and it has grown in size. With the foundation it's a lot different, because the bottom line isn't how you can make more money or get a better return, it's helping the projects that you feel strongly about move forward.
My mother always taught me a lot of important life lessons, and she would always tell me how important it was to tip. We didn't have much money, so we would tip what we could. Now, it's at the point I'm financially stable. When I'm out eating, I hope I have the cash, but if I write it on the receipt, I'll leave a big tip.
For artists it's a lot easier to make art in bad times than it is in good times. When you've got no money it's easy to just drink your way through it and make great art. But if you're making lots of money it can be very problematic.
'Dawson's Creek' was my introduction to the industry. It put some money in my pocket and it put me in the position I wanted to be in, where I could audition for projects that I wanted to be a part of. I didn't find it creatively fulfilling in any way though.
Six months is the most you can ask of any fan in this day and age, with the Internet and all these new artists. I understand that my music is in a lot of mediums. Some people want me to make an R&B album. Some people want me to never sing again. I just don't want people to be able to draw comparisons between my old songs and my new ones.
There are a lot of people who approached me after 'Dangal' and 'Stree' to do films in lead roles with great money. But I don't want to rush into it. I want you to call me with a happy face that the film is rocking... And that will only happen if I make wise and patient decisions.
I'm a professional artist, that's how I make my living. So I watch the market. There is, it seems to me, a lot of pure financial speculation, and I don't think that's terribly healthy. Though as long as the money is getting back to the artist, I think that's good. I'm very happy younger artists can make money faster than we could. And we were making it faster than a generation before us.
I had a gentleman steal or 'misplace' - I guess I should say 'allegedly' - a lot of money from me. It didn't make any sense when it was happening, because I just didn't understand why I didn't have any money. I was a perfect mark because I had all of this shame and insecurity about money.
I put out a lot of different kinds of material, and maybe people read that as egotistical. Or maybe, since a lot of it does involve some aspect of me, they find it self-aggrandizing. But there’s a long tradition of artists using themselves. Look, I know I’m not perfect. And, who knows, maybe a part of it has to do with self-obsession. But it’s also about using this weird thing that is a public persona as raw material for creative projects.
A lot of artists just put on the people they can make money off of.
War has been good to me from a financial standpoint but I don't want to make money that way. I don't want blood money.
Don't forget, a lot of people want that to happen because they make a lot of money by taking money out of this country. Those deals [like NAFTA] are very good for a lot of people.
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