A Quote by Ned Rorem
Greatness is not the effect of which inspiration is the cause. We are all inspired, but we are all not great.
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I think the biggest influence for me is when I hear a great piece of music, whatever the style, I'm kind of inspired by that greatness and I'm inspired to try and obtain something that comes close to that greatness.
As the cause is, so the effect will be Cause is never different from effect, the effect is but the cause reproduced in another form.
The poet is never inspired, because he is the master of that which appears to others as inspiration. He does not wait for inspiration to fall out of the heavens like roasted ortolans. He knows how to hunt...He is never inspired because he is unceasingly inspired, because the powers of poetry are always at his disposition, subjected to his will, submissive to his own activity.
Of course, a psychologist would find it more direct to study the inspired poet. He would make concrete studies of inspiration in individual geniuses. But for all that, would he experience the phenomena of inspiration? His human documentation gathered from inspired poets could hardly be related, except from the exterior, in an ideal of objective observations. Comparison of inspired poets would soon make us lose sight of inspiration.
One should not wrongly reify 'cause' and 'effect,' as the natural scientists do (and whoever, like them, now 'naturalizes' in his thinking), according to the prevailing mechanical doltishness which makes the cause press and push until it 'effects' its end; one should use 'cause' and 'effect' only as pure concepts, that is to say, as conventional fictions for the purpose of designation and communication-not for explanation.
A very small cause, which escapes us, determines a considerable effect which we cannot ignore, and we say that this effect is due to chance.
The great-at-anything do not set to work because they are inspired, but rather become inspired because they are working. They don't waste time waiting for inspiration.
If we define a miracle as an effect of which the cause is unknown to us, then we make our ignorance the source of miracles! And the universe itself would be a standing miracle. A miracle might be perhaps defined more exactly as an effect which is not the consequence or effect of any known laws of nature.
Wonder [admiratio astonishment, marvel] is a kind of desire for knowledge. The situation arises when one sees an effect and does not know its cause, or when the cause of the particular effect is one that exceeds his power of understanding. Hence, wonder is a cause of pleasure insofar as there is annexed the hope of attaining understanding of that which one wants to know. ... For desire is especially aroused by the awareness of ignorance, and consequently a man takes the greatest pleasure in those things which he discovers for himself or learns from the ground up.
As no cause remains without its due effect from greatest to least, from a cosmic disturbance down to the movement of your hand, and as like produces like, Karma is that unseen and unknown law which adjusts wisely, intelligently, and equitably each effect to its cause, tracing the latter back to its producer.
Nocebos often cause a physical effect, but it's not a physically produced effect. What's the cause? In many cases, it's an unanswered question.
Time travel offends our sense of cause and effect - but maybe the universe doesn't insist on cause and effect.
There cannot be a cause without an effect, the present must have had its cause in the past and will have its effect in the future.
The finer is always the cause, the grosser the effect. So the external world is the effect, the internal the cause.
It is in the very nature of a beginning to carry with itself a measure of complete arbitrariness. Not only is it not bound into a reliable chain of cause and effect, a chain in which each effect immediately turns into the cause for future developments, the beginning has, as it were, nothing whatever to hold on to; it is as though it came out of nowhere in either time or space.
A determination or an effect within a system which is no longer that of a presence but of a diffrance, a system that no longer tolerates the opposition of activity and passivity, nor that of cause and effect, or of indetermination and determination, etc., such that in designating consciousness as an effect or a determination, one continues - for strategic reasons that can be more or less lucidly deliberated and systematically calculated - to operate according to the lexicon of that which one is de-limiting.
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