A Quote by Neil Peart

Rudimental snare work is something I've always loved. — © Neil Peart
Rudimental snare work is something I've always loved.
I loved 'Planet of the Apes,' and I loved 'Star Wars,' and I loved 'Raiders of the Lost Ark,' and to me, the goal always was to work on something as cool as that.
Each song is a little snippet of my life - and I got to work with Rudimental!
I was playing legit snare with a traditional grip, not a matched grip. After I broke my left wrist, I couldn't hit a snare drum anymore. From the age of 13 to 17, I couldn't really get a pop on the snare drum. I would hit it, and my wrist would almost shatter.
I've always loved horror, I've always loved collecting, I've always loved weird and macabre things, and I've always loved conventions. So what could be better than having your own Fear FestEviL where all those great and crazy things can be enjoyed by like-minded people under one pretty cool roof? Nothing!
I always loved Alan Menken songs and wanted my first album to be a tribute to him and his work. I always loved his music.
I've always loved cuneiform; I've always loved the way it looks. I love that it's the world's oldest script. And the creative potential of bad translation or misunderstanding or something has always been at the core of the idea of 'Dirty Projectors.' So the cuneiform is pretty playful - basically, just a joke.
When I found skating, it was something that was individual, and it was something that I could focus on being my best. And I loved the whole practice, and I also loved performing. It was probably the first time I felt really good about myself and that I was good at something, because I always liked being athletic.
The music is something I've always done and always loved but always really kept for myself. Something I do for me.
The problem I've always discovered in my own work when this kind of thing happens when you hit the wall is there's almost always a reason. You've almost always made a mistake in the initial conception of the project. You misapprehended something or you thought something would work and now you're three quarters on the way through and you see that it doesn't work.
Some kids are good at sports, some are good at school work. I just always loved business, from the time I was a little kid. It was always something that I really enjoyed.
Devil’s Snare, Devil’s Snare . . . what did Professor Sprout say? — it likes the dark and the damp —” “So light a fire!” Harry choked. “Yes — of course — but there’s no wood!” Hermoine cried, wringing her hands. “HAVE YOU GONE MAD?” Ron bellowed. “ARE YOU A WITCH OR NOT?
I love the sound of '70s glam records. I love that snare sound. The recordings I like, it's all based on if the snare sounds good. The drums have to sound great.
When you dance, it takes a lot of stamina, but it never seemed like work 'cause I was doing something that I so loved doing. It was always a joy. And you know, to have beautiful ballets made specially for you is such an honor. I always said it was better than diamonds.
I've wanted to be a drummer since I was about five years old. I used to play on a bath salt container with wires on the bottom, and on a round coffee tin with a loose wire fixed to it to give a snare drum effect. Plus there were always my Mum's pots and pans. When I was ten, my Mum bought me a snare drum. My Dad bought me my first full drum kit when I was 15. It was almost prehistoric. Most of it was rust.
I've always loved [Elsa Dorfman] work. I've loved her and her work is so much an expression of her. One of the reasons to make the film is to expose Elsa, hopefully, to a wider audience.
Well one of the times I did a stunt was in the devil’s snare room and they lifted me up on a harness and a safety rope really, really high, and they just dropped me down into the devil’s snare.
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