A Quote by Nelson DeMille

I turned to the Times crossword puzzle and asked Kate, “What’s the definition of a moderate Arab?” “I don’t know.” “A guy who ran out of ammunition. — © Nelson DeMille
I turned to the Times crossword puzzle and asked Kate, “What’s the definition of a moderate Arab?” “I don’t know.” “A guy who ran out of ammunition.
You're never quite sure where the song is going, because you might not find the word to rhyme with the end of the line. You have to find associative meaning to get you there. So it's rather like doing a crossword puzzle backwards. A kind of strange, three-dimensional, abstract crossword puzzle.
I had a big 'New York Times' crossword puzzle phase.
I like doing the crossword puzzle in the New York Times, not watching E! on TV.
I love doing the 'New York Times' crossword puzzle, even on the days I can't finish it.
I've been working on 'The New York Times' crossword puzzle on the subway. I can make it until about Wednesday.
I do the 'New York Times' crossword puzzle every morning to keep the old grey matter ticking.
We didn't put a single boot on the ground, and [Muammar] Gaddafi was deposed. The Libyans turned out for one of the most successful, fairest elections that any Arab country has had. They elected moderate leaders.
The nice thing about doing a crossword puzzle is, you know there is a solution.
An Iranian moderate is one who has run out of ammunition.
I love words. Sudoku I don't get into, I'm not into numbers that much, and there are people who are hooked on that. But crossword puzzles, I just can't - if I get a puppy and I paper train him and I put the - if all of a sudden I'd open the paper and there's a crossword puzzle - 'No, no, you can't go on that, honey. I'll take it.'
Complexity can be a trap. You can have a ball developing a phrase, inverting it, playing it in different keys and times and all. But it's really more introspective than communicative. Like a crossword puzzle compared to a poem.
You know that thing where you're trying to do the crossword puzzle, and you're trying to fit the word that's in your head in the puzzle, and then you go 'Ugh!' and you walk away, and then it comes to you. I'm interested in that moment. The release of expectation, and the release of pleasing yourself and pleasing anybody. Breaking the mindset.
People who work crossword puzzles know that if they stop making progress, they should put the puzzle down for a while.
I think that at the end of the day I'm drawn to a certain level of ambiguous storytelling that requires hard thought and work in the same way that the New York Times crossword puzzle does: Sometimes you just want to put it down or throw it out the window, but there's a real rewarding sense if you feel like you've cracked it.
I think that, at the end of the day, I'm drawn to a certain level of ambiguous storytelling that requires hard thought and work in the same way that the 'New York Times' crossword puzzle does: Sometimes you just want to put it down or throw it out the window, but there's a real rewarding sense if you feel like you've cracked it.
I didn't know much. It wasn't possible to buy a book about Nurmi, but I found out that in order to be faster over 10,000m, he ran 5,000m many times in training. And to be better at 5,000m, he ran 1,500m many times. And to be better at 1,500m, he ran four times 400m in training.
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