A Quote by Nelson DeMille

Absolutely breathtaking, nail-biting, and edge-of-your-seat. Michael Koryta is a master at maintaining suspense and a hell of a good writer. THOSE WHO WISH ME DEAD is one of the best chase-and-escape novels you’ll read this year-or any other year. The pace never lets up.
Michael Koryta's THOSE WHO WISH ME DEAD is an absolutely thrilling read. I read most of it with my breath held, occasionally exhaling to ask myself, 'What will happen next?' I highly recommend it.
Michael Koryta isn’t just one of the finest authors working in the crime genre today. He’s simply one of today’s finest authors, period. His stories are taut, compelling, and beautifully rendered. His understanding of human nature-the good, the evil, and all the gray between-is masterful. THOSE WHO WISH ME DEAD is Koryta at his best.
Michael Koryta is an amazingly talented writer, and I rank The Prophet as one of the sharpest and superbly plotted crime novels I've read in my life.
THOSE WHO WISH ME DEAD is beautifully written, perfectly paced, expertly structured, and simply unputdownable. Koryta is an absolute master.
Michael Koryta is that rare author who is at once a compelling story teller and a fantastic writer. From the first sentence of THOSE WHO WISH ME DEAD, you'll be under his spell. His characters are living, breathing people you'll care about; his setting is a place you'll visit and stay-long after you've decided to leave because you're scared. You can't leave; you're trapped. There are too many nerve-jangling, beautifully written, razor sharp moments and you won't want to miss a single one. This is an absolute sizzler.
Thunderous action and nail-biting suspense
My best experience as a writer was working with Michael Ondaatje. He let me dismantle his novel, reimagine it, and still had dinner with me and gave me good notes. But the best thing about writing has been the writer's life, the sense of being expressed, the ownership of the day, the entirely specious sense of freedom we have, however slave we are to some boss or other. I wouldn't trade it for any other life.
Maberry is a master at writing scenes that surge and hum with tension. The pacing is relentless. He presses the accelerator to the floor and never lets up, taking you on a ride that leaves your heart pounding. It's almost impossible to put this book down. Dead of Night is an excellent read.
When I started out, Jay Leno used to say you're not as good as you think you can be until at least your sixth year. I was like, what the hell is he talking about? 'Cause I was in my third year, and I thought, 'I got this.' I kept videos of myself performing, and in my fifth year I watched my third year and realized he couldn't have been more right.
I work every day hard. I put my body through hell. Let me tell you, every year, seven months of the year, I don't see my family. Year in, year out. I miss my kids. Kid's birthdays, anniversaries. I'll never be able to go back and be with my family.
You forget what it was like. You'd swear on your life you never will, but year by year it falls away. How your temperature ran off the mercury, your heart galloped flat-out and never needed to rest, everything was pitched on the edge of shattering glass. How wanting something was like dying of thirst. How your skin was too fine to keep out any of the million things flooding by; every color boiled bright enough to scald you, any second of any day could send you soaring or rip you to bloody shreds.
I still read romance, and I read suspense. I read them both. And part of it is, I like stories with strong characters, and I like stories where there's closure at the end. And I like stories where there's hope. That's a kind of empowerment. I think romance novels are very empowering, and I think suspense novels are, too.
The three practical rules, then, which I have to offer, are, --/ Never read a book that is not a year old./ Never read any but the famed books./ Never read any but what you like.
I wish I were whole. I wish I could have given you youngs, if you'd wanted them and I could conceive them. I wish I could have told you it killed me when you thought I had been with anyone else. I wish I had spent the last year waking up every night and telling you I loved you. I wish I had mated you properly the evening you came back to me from the dead.
Michael Marcus taught me one other thing that is absolutely critical: You have to be willing to make mistakes regularly; there is nothing wrong with it. Michael taught me about making your best judgment, being wrong, making your next best judgment, being wrong, making your third best judgment, and then doubling your money.
The Chinese tell time by 'The Year of the Horse' or 'The Year of the Dragon.' I tell time by 'The Year of the Back' and 'The Year of the Elbow.' This year it's 'The Year of the Ulnar Nerve.' Someone once asked me if I had any physical incapacities of my own. 'Sure I do,' I said. 'One big one - Jim Palmer.'
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