A Quote by Nick Blaemire

I love writing stories about regular people dealing with life's biggest questions. — © Nick Blaemire
I love writing stories about regular people dealing with life's biggest questions.
Although I'm up for working in any genre, I do love the passion and dynamic storytelling that horror stories can provide. Dealing with big questions and possibilities of all sorts of stories with life and death consequences is enthralling and exhilarating to me.
have a much harder time writing stories than novels. I need the expansiveness of a novel and the propulsive energy it provides. When I think about scene - and when I teach scene writing - I'm thinking about questions. What questions are raised by a scene? What questions are answered? What questions persist from scene to scene to scene?
It's ironic my biggest mental crisis in life came when I actually succeeded. A lot of people talked about dealing with failure, but for me, dealing with success was probably the hardest time in my life.
In writing ... remember that the biggest stories are not written about wars, or about politics, or even murders. The biggest stories are written about the things which draw human beings closer together.
I fall in love with certain stories. Those stories tend to be connected to my life some way - for instance, with my first book I was writing about the experience of coaching Little League in the Chicago inner city. But the common thread tends to be exploring some kind of mystery. Simple questions that spiral deeper.
Any story dealing, however seriously, with homosexual love is taken to be a story about homosexuality while stories dealing with heterosexual love are seen as stories about the individual people they portray. This is as much a problem today for American filmmakers who cannot conceive of the presence of gay characters in a film unless the specific subject of the film is homosexuality. Lesbians and gay men are thereby classified as purely sexual creatures, people defined solely by their sexual urges.
From my perspective, most of my life has been dealing with the day-to-day, kitchen-to-bedroom-to-living-room-to-garage life with people. Most people are just trying to figure out how to love the people in their world, to love their God and to deal with some of these questions about God.
Once I discovered how important writing music was to me and just what a huge weight it lifted off of me, I knew that it was going to be the biggest part of my life, the biggest love of my life, the biggest thing in my life.
Long before I became a feminist in any explicit way, I had turned from writing love stories about women in which women were losers, and adventure stories about men in which the men were winners, to writing adventure stories about a woman in which the woman won. It was one of the hardest things I ever did in my life.
But it's hard for me to pinpoint where all my characters and dialogue come from - imagination or real life. My memoir, of course, was all about my past, and many of the short stories cleave very closely to my life, but the more stories I wrote in the collection, the more that seemed to be invented, but who knows... I think I'm writing about a young woman with acne who shoplifts, but I'm really writing about myself.
If you want to love, take the time to listen to your heart. In most ancient and wise cultures it is a regular practice for people to talk to their heart. There are rituals, stories, and meditative skills in every spiritual tradition that awaken the voice of the heart. To live wisely, this practice is essential, because our heart is the source of our connection to and intimacy with all of life. And life is love. This mysterious quality of love is all around us, as real as gravity... Yet how often we forget about love.
Writing stories, adopting other characters, making up fantastic stories and tales, this is a way of perhaps enhancing who I am. Writing stories takes a commonplace old life and makes it all somehow more interesting. And hopefully I can do that in a way that touches a lot of people in their lives, too.
People do amazing things for love. Books are full of wonderful stories about this kind of stuff, and stories aren’t just fantasies, you know. They’re so much a part of the people who write them that they practically teach their readers invaluable lessons about life.
Well, religion has been passed down through the years by stories people tell around the campfire. Stories about God, stories about love. Stories about good spirits and evil spirits.
Children and teenagers don't easily relate to stories about kings and dukes, and to tell only stories about kings and dukes is to ignore the regular people.
The hardest thing writers have to do is figure out for themselves who they are. What should they be writing about? What stories should they be telling? What does writing mean to them? I didn't know the answers to those questions for a long, long time.
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