A Quote by Nick Diaz

I felt like my job is to go out there and put on a good show, amazing fights and give an amazing effort and hope that people can recognize that sort of thing, and maybe they would want to find out more.
After you leave a show - any show, but for me especially after 'Breaking Bad' - you hope for a job to help soften the blow now that you don't have this amazing job anymore, and you hope that it's good.
I don't want to miss out on the good stuff. As long as the character is good and the show is good, the medium does not matter to me. There are a few makers that I have an enormous trust in and that I know will do an amazing job.
[Donald] Trump, I think, is the sort of guy that if he maybe thought he'd made a little bit of a mistake, would find a way out, he wouldn't want to say, "Well, that's what I've done and I'm sticking to it, and I don't give a damn." Which is what the other people in America would be like.
I have this amazing team that I trust. I completely go with their decisions on things. I don't have to go in and micromanage everything. And I think the other thing is, you start to sort of... I wouldn't say relax, because I've never relaxed. But I've tried to have more confidence in the things I like, or the things other people like. That's really the big thing in this job, to second-guess yourself all the time.
The Internet, you know, 10 or 15 years ago sort of felt like the wild West. You could go out there and do anything and search for things, and, you know, find out about stuff. Now always in the back of my mind, you know, whether it's email or whatever else, it's like, well, is this going to show up somewhere? Is someone going to keep track of this and, you know, know I was searching for - maybe it's an embarrassing disease, maybe it's a weird hobby?
You ride one in to the beach, and it's the most amazing thing you've ever felt. But at some point the water goes back out; it has to. And maybe you're lucky-maybe you're both too busy to do anything drastic. Maybe you're good as friends, so you stay. And then something happens-maybe it's something as big as a baby, or as small as him unloading the dishwasher-and the wave comes back in again. And it does that, over and over. I just think sometimes people forget to wait.
The amazing thing about working on new platforms is that there is a great deal of excitement. You know, these things - they're brand new. They're trying to figure it out. And so if you're a show that they're supporting, they're going to put a tremendous amount of energy behind you. They're open to new ideas, new ways of promoting a show, and I think that feels really exciting, because network TV sort of feels like a formula. They give you a couple of weeks, and if it works, it works, and if it doesn't, you're most likely going to get cancelled.
It's amazing what can happen if you just put your arm around somebody. It's the truest thing and the simplest thing that does the most good a lot of times and I hope that we can all just reach out to each other.
I didn't know what it was going to look like or how anything was going to turn out, but the production on 'Teen Wolf' is so amazing. The way that they shoot it, edit it, and put it out there, it's really so exciting. I trust the team so much. They do such a good job.
I had this mentality that I had to go out to everyone's show so everyone at the end of the week would come to mine - that I had to go out and rub elbows, find exposure. A small part of that is true. But if something is good, people will notice when you put it out.
Watching old movies is like spending an evening with those people next door. They bore us, and we wouldn't go out of our way to see them; we drop in on them because they're so close. If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago. Like Lot's wife, we are tempted to take another look, attracted not by evil but by something that seems much more shameful -- our own innocence.
It's amazing, the quality of good work that happened in the fifties when a series would have to turn out 30-some episodes a season - it's amazing that 'I Love Lucy' was as good as it was!
We live in this irreparably broken world, and I don't wish to deny reality, but the amazing thing to me is not that we refuse to relinquish hope as a species. The amazing thing is that we're right to hold on to hope. The world may be broken, but hope is not crazy. ... Obviously not all stories end happily. We don't always have good fortune, but hope gives us, as a species and as individuals, what we otherwise wouldn't have: A chance.
I have an amazing fan base. I also have an amazing amount of haters: believe who don't believe, people who don't want me to succeed. I don't really mind having those people around. If anything it's actually a good thing for me because it keeps me in the gym, keeps me working hard - knowing there are people out there who don't want me to succeed.
There are only two stimulants to one's best efforts-the fear of punishment, and the hope of reward. When neither is present, one can hardly hope that salespeople will want to be trained or want to do a good job. When disappointment is not expressed that one hasn't done a better job, or when credit is withheld when one has done a good job, there is absolutely no incentive to put forth the best effort.
Television is just amazing - how many people see it and how many people recognize you, and I think once you've had the opportunity and have been in front of the public, it's very flattering to have people come up and say hello to you. It's a tremendous industry. I've been in places where people come out of the woodwork. And you would never think - small towns in France or traveling through Europe - and there are so many of those people there that recognize you, and you've been in their homes. I find it to be a very flattering thing.
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