A Quote by Nick Hornby
A lot of what 'Funny Girl' is about, for me, is the experience feeling very happy doing a certain thing with a certain group of people. That partly came about because of having really positive experiences writing movies.
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I was able to notice in a very early stage, there were discrepancies between the people who are writing the songs and discrepancies about the self that I was writing about. I was feeling that there were all these different people, both writing the record and having the record being written about them, even though ostensibly it was me sitting down and documenting a series of life experiences. Part of that, when I recognized this unconscious thing I was doing, was about these spaces, about these gaps.
I don't want people to feel like they have to state something in a certain way because so-and-so might be around on the site. It's nice when people have a forum to discuss things among themselves. If you had a certain special-occasion blog I could probably contribute...I normally post on my site if I'm writing about music, and if you have a specific issue you're addressing or you want me to write about certain topics, then I'd be happy to try.
And even being in the middle of it, at the LVMH group with Dior, there are certain parts of it that I'm just not really in, because it's not in me or my nature. The whole scene around it, the events, the photography ... It's never really been my thing. But I don't take a critical position on people who are very much about that either.
A lot of people think that they are really cool because they don't outline. In my writing group, they would say, "I will never outline. I let the characters take me." C'mon, man - I outline the story, but it's only like one page. It's a list of possible reversals in the story, like things where everything will just change because of this certain reveal or this certain action. Then I start really digging into the character because, to me, I don't care what the story is.
You write about experiences partly to understand what they mean, partly not to lose them to time. To oblivion. But there's always the danger of the opposite happening. Losing the memory of the experience itself to the memory of writing about it.
Once I got over the fear of writing female characters, it actually came quite easily and I was really happy with it. I just thought about girls I knew really, really well and I'd just have conversations with them and tried to relay how they talk about certain things.
If you want to do a certain thing, you first have to be a certain person. Once you become that certain person, you will not care anymore about doing that certain thing.
It used to be trained professionals doing animation and they were great. Now they have celebrities and famous actors doing the voices, but that does not always work. But I think this film turned out really well, partly because the three of us (me, Ray and Denis) are comedians who are used to doing solo acts and doing certain types of voices. The three of us are New York guys, we all came up the same way in the profession and we are all edgy and enjoy doing family movies. It was a good combination I think.
I think I've had pretty good experiences for the most part with the people who have directed my screenplays. It's more that I wanted to see what it would be like if I didn't have to collaborate with anybody, to have a sense of purity of the thing from beginning to end. I liked doing it. It's really different from writing. Directing is a more pragmatic experience, where you have to deal with the restrictions of time and money that force you to make certain decisions you don't have to make when you're writing.
The funny thing about writing is, although you are writing about an experience which only you have had, you are trying to welcome other people into it, and there are ways I think of doing this, and one of them is through the senses, through the sounds and the smells.
Seeing people Tweet my lyrics and really feeling for me, feeling what I'm feeling... in one of my lyrics I sing about 'the watch I just got for you,' and some girl was like, 'Yes! I bought him a watch!' I can be happy because these women feel me.
It's a weird thing. Rick Springfield wrote 'Jessie's Girl,' and he probably gets sick of talking about 'Jessie's Girl.' The thing is, I didn't write 'Blurred Lines.' I didn't direct the music video. I'm really happy for the success, but it is kind of a funny thing to follow me around.
I don't really premeditate what I write my songs about; you know, they just kind of happen, and I can't start writing songs to please a certain group of people or propagate a certain message all the time. That's just not how my songwriting works - it just sort of comes out, and the songs are what they are.
The relationship I have with my mother now, and photographing her in front of the grave, it opens up discussions, and dealings with the conversations with my mother about, when I was little, how we lived and about suicide and talking about it, so it's something positive, it brought us more together, because people might never discuss that. Some families never go near certain subjects because it's too hurtful or too close or too dangerous. But within doing these photographs, I also wanted to open up a conversation with her about certain things about life.
Hello...Although you (reporters) are busy thank you for coming to this place. Today, the reason that I called you...I wanted to talk about some girl. Currently, I love a certain girl. I really love this girl too much. She is a person who finds happiness and joy in small things, when i'm with her, I'm always happy. She is also a person who told me how happiness felt like. Because of this, Because of this, because i love this girl too much, because i want to protect this girl...I am getting a divorce.
Am I doing the movie because I'm really excited about it and want to do it, or am I doing it because it seems like it's a big budget or something like that? It would still have to be the right thing, because my lifestyle's really cheap and I'm able to exist doing smaller movies, so if I'm able to do that, I'm happy to do that. But if something bigger came along that seems really cool, then that would be great.
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