A Quote by Nicola Formichetti
I'm not a typical couturier, although I really respect them.
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Although I'm certainly glad cartoons are finally getting some respect as an art, I'm fairly ambivalent to see cartooning as a legitimate academic offering. If comics need to be deconstructed and explained, something is really wrong with them.
I've learned how to look at things and not judge them, but respect them and use it in a way that people understand that I respect them, show them love and respect their reality.
There's not really a choice about, am I going to pursue a typical career? Because I'm not the typical standard, so that's not even an option.
With the horses, you can’t let them call the shot part of the time and then you call the shot part of the time. They’re not really designed to be your leader, but they can be a great partner, but you need to lead, and they need to respect you and respond with respect. Don’t think of respect as a dirty word. You need to respect them as well.
It took me a long time to square with the fact that none of my experiences are typical - I'm not a typical American, but I'm also not a typical Muslim.
I do not dislike but I certainly have no especial respect or admiration for and no trust in, the typical big moneyed men of my country. I do not regard them as furnishing sound opinion as respects either foreign or domestic business.
These five years as a couturier have really changed my way of seeing fashion and my confidence with fashion. Couture is a dream.
For me, I try to look at a person's swagger and a little background on them if I already haven't liked them as a ballplayer. All you have to do in the way I am going at it is that I don't attack them like a typical commentator or a typical interview where I am trying to figure out what's your statistics or how you felt about last night? Those things. My things are more lifestyle oriented.
The typical journalist's typical lead for the typical Canadian story nowadays is along this line: that Canadians are hard at work trying to gain a reputation as a nation of rapid social change.
In all my documentaries, I have great respect for the people I work with. Really, I love them. And it's very important for me that when I finish a movie, they stay my friends. It's important that they won't feel that I in any way manipulated them or showed them in a bad light. I want to show them in all their reality - not as subjects but as people with flesh and blood - but I want to do this with all my respect.
I suppose people hadn't really thought each decade should have its own character and be different from the others till the 1920s, although I remember in a nineteenth-century Russian novel someone remarked that a character was a typical man of the 1830s - progressive and an atheist.
I mean, no one asks beauty secrets of me, or 'What size do you wear?' or 'Who's your couturier?' They ask me about really deep things and I love that.
I have been a producer and director for many years, and I can say it's really difficult for women, although the women in Mexico suffer as much as other women in the world. The first thing is to get respect for the work you do. Then it is about getting the money. And this respect comes little by little over the years.
I have too much respect for the characters I play to make them anything but as real as they can possibly be. I have a great deal of respect for all of them, otherwise I wouldn't do them. And I don't want to screw them by not portraying them honestly.
I'm much more a writer than an actor. Although I have a great respect for that and I enjoy acting still, it really is about the world that I'm creating. That's where my future is.
I knew that collaborating on songwriting would be difficult for a lot of people, because I was known very much, for my independence and the fact that I wrote these quirky songs that were not typical structure, not typical sound - you know, really original stuff.
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