A Quote by Nicola Formichetti
I like places where you can dance to crazy music, like Bedlam or Eastern Bloc in the East Village.
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The Olympics were produced absolutely the same way from 1960 through 1988. It was always the Western World against the Eastern Bloc. You didn't even have to spend one second developing the character of any of the Eastern Bloc athletes. It was just good guys and bad guys.
I like living in the city where I have all my books and music and can go out to buy that night's dinner or easily see a band. But I also like the wild places, especially hiking in the desert and the Eastern woodlands. Do I have to choose?
I don't think my vocals demand effects. I like reverb to a certain extent, but I don't want to hide my voice. I like stripped-down vocals, but I also like crazy, powerful, doubled vocals like in dance or electronic music.
I used to look like a deer in headlights on the red carpet. You step out of the car and it's bedlam. Everyone's got crazy eyes.
If you go into the eastern bloc countries we are huge, and in Russia. Maybe there is something about the depressing nature of our music and lyrics that some people find an affinity with.
Once the Eastern Bloc collapsed, what I call 'historical spontaneity' prevailed and the countries that were subject to Soviet control naturally gravitated to the West. That's where they sought their security; I don't think there was a way to avoid that. If we tried to exclude them, we would have today not one Europe, we would have three Europes: one in the West, one in the middle and one in the East, and the middle would be insecure and a tempting target. The insecurity felt [today] by Eastern Europe would be replicated on a much larger and more consequential scale.
Disco was like the celebration of music through dance and my God! When you heard the music sometimes it was like, if you don't get up and dance, you aren't human!
Chocolate and candy. That's what we brought in to our friends. We worked in East Berlin with other artists who were smuggled out to come work in the Western Bloc. It was extraordinary because people in East Berlin just wanted to know what was happening. Music. Fashion. The news. All of the things we get every day.
Telling people that I wanted to make dance music, or be on the radio, they looked at me like I was crazy because there was nothing like that in Lichtenstein when I was getting started. That's why I went to Germany, because there is industry there.
You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
I like New Orleans music, I like Memphis music and I like the way that the sound like those places. I like how there are stars and there are people in those cities that are revered in the community.
Some cultures don't have a separate word for music and dance. To my knowledge, this notion of listening to music without dancing is a Western creation. I can't think of any artist that I love that doesn't inspire movement in some form or another. I guess Tangerine Dream or early Vangelis or something like that, you're not really going to dance. But on the whole, I feel like dancing and music are so naturally intertwined. I feel like subconsciously, that's the goal whenever I'm working on music. It's kind of the defining thing: Does it got some funk to it, basically?
I like to dance. I always make my husband dance with me when we are in the kitchen to whatever gets us moving. One my favorite is bands is Mana, but I like all kinds of music.
When I was in London I found house music and techno, and I love that s - t. It's my go-to music. It's the closest for me to the old funk of James Brown and the repetitive dance music that I like from the soul music. I'd love to do a live album, like a little bit old school but still progressive, influenced maybe by more electronic music. I like everything, but I don't know anything about music. So it comes in to a lot of different ingredients.
I did dance music for a short period of time but I felt like the fruit for me was in the outer dance world so I stopped doing overt techno and I think, in terms of rhythm, I enjoy things that feel like they're falling off, like they're just barely holding on.
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