A Quote by Nicola Walker

My family moved out of London's East End to a tiny village. The school I went to was supposed to be mixed gender, but there were hardly any boys born that year. So, yes, joining a youth theatre was a fun way to meet the opposite sex!
I was born in London. I moved to New Zealand when I was really young; I can't remember London. My parents went and did what was supposed to be a one-year O.E. (overseas experience) that turned into a 9 year O.E. and they had two kids.
My whole family were from the East End, but they moved away when I was a child. They still cannot get their heads around the fact that I ran back to London as soon as I could, when I was 21.
These are such First World problems, but there's a certain claustrophobia to New York. You don't escape in the East Village, but it at least feels full of camaraderie and youth - or full of camaraderie and youth in an East Village that is as full of Chase banks and Starbucks as the Upper West Side, or anywhere else in Manhattan.
I became an actor by doing school plays and youth theaters, and then National Youth Theatre of Great Britain. And then I did study at the London Academy of Music and Dramatic Arts. For me that was a good way to enter the field, to work in the theater.
My family were Conservative Jews. My parents were both born in this country, but my father grew up on the Lower East Side, and my mother was born and raised in Harlem when there was a large Jewish 'colony' there. Eventually, they moved to Jersey City to get away from New York.
I was born in Egypt, and my family moved to London when I was seven. I grew up mostly in Clapham, where I also went to school after a brief stint in Whitechapel.
I grew up in the East End of London, the youngest of three boys in a Catholic household. Both my parents were market traders and worked seven days a week.
I sort of throw away the definitions of gender - that boys are 'supposed' to wear blue and girls are 'supposed' to wear pink - and those gender roles and gender presentations. I do it on my own terms rather than based on what other people say I should do.
When I was in high school I moved from the big city to a tiny village of 500 people in Vermont. It was like The Waltons!
My family home was a rented house in the East End of London. My parents could have bought it at one point, but they preferred to spend their money on holidays and theatre tickets. It was strange to see it handed on to someone else when my father passed away.
And I couldn't make fun of her for that dream. It was my dream, too. And Indian boys weren't supposed to dream like that. And white girls from small towns weren't supposed to dream big, either. We were supposed to be happy with our limitations. But there was no way Penelope and I were going to sit still. Nope, we both wanted to fly.
My dear dad always tried to introduce me to children of his friends, but I just never took to them. Those were the people we were shoved with at school dances, usually Eton boys because it was the cleverest boys' school, and ours was supposed to be the cleverest girls' school.
I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.
When I started drama school, theatre was the main draw. I never had any movie star notions. Not that there were family ties to the theatre, either.
I was born in New York and moved to London with my family when I was five. I did have an American accent for a couple of months, and then it went a way.
No, we didn't shoot... in the ones that I did there were hardly any sex... there were suggestions of sex scenes but we never actually shot a sex scene as such.
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