A Quote by Nicole Richie
I grew up with him [Michael Jackson] and I've spent a lot of time at Neverland and nothing has ever happened with me in any way. You have to look at both sides. I do think it is very convenient that his album came out and all this stuff is happening. I definitely do think that's very convenient... It really hurts me to see that his whole life is ruined.
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Jackson and I spent the day together, just me and him and his children. Little underlings came and went. The P.R. person came and went... It was just Michael and me and the kids. And it was very, very interesting.
Jackson and I spent the day together, just me and him and his children. Little underlings came and went. The PR person came and went. It was just Michael and me and the kids. And it was very interesting.
My whole world changed when Michael Jackson brought out the Bad album when I was about eight or nine. He took over my whole life and from then on I wanted to be Michael Jackson. I watched his videos for hours and learned how to dance like him. I would push back the chairs in the room and learn his dance moves. I even taught myself to moonwalk.
Alan Menken took me to his studio and we went through his trunks of songs and put together an album of stuff that people and stuff that people don't know. I'm very proud with the way it came out. I had no idea what it would be like to do an album and that process was grueling and tedious but it was very rewarding. I would do it again if I had the chance.
It's nice that I've grown up with the same friends since I was 12, I have a very close knit set of them... I grew up with a lot of people who a lot of other people regarded as heroes, and no one ever came to me for advice, no one ever came to me for protection, and so I don't ever really think I've been looked at as a hero.
McCain might have suffered hardships in his life, but what had happened to him had nothing to do with his background or his color; they were convenient excuses now. He had been a psychopath from the start.
Listen, Michael Jackson is really funny. To have time to spend with him and actually be around him, he's not what....people think he is. Michael Jackson's like a black belt too, so he will kick your ass if you say something about him." In disbelief the interviewer replied "No, really?" to which Will said, "Yes, Michael Jackson kicked over my head!
When I grew up I was a huge Michael Jordan fan. That's not very unusual for people to like him, but I just liked reading his books, especially where he came from, getting cut from his high school team. I thought he was a good person, a good role model to look up to.
John Cleese was a big hero of mine. He grew up in Weston Super Mare near Bristol where I grew up; he was always very tall and gangly, but he was smart and used his physicality in a very funny way. I used to think, 'Well he came from Weston and he did it, so there's a chance for me.'
I don't want you to look at my skin and think "white" or look at my heritage and think "Mexican." I want you to look at me and see me as a human being, and hopefully, we can get past all of this other stuff. It's asking a lot, of course, but there's only one way you fight extremists on both sides, whether it be racist or not, and that's by looking past me, getting bigger than that, letting them not affect you, drawing from it and sticking together with the like-minded people you have around you.
Stuff I like is getting trashed and stuff that is being praised I think is terrible. I don't really feel in sync with what's happening, but at the same time, what I think keeps me afloat is that I try not to be, and don't want to be, very indulgent. I try to make the films as lean as possible, and to not spend a lot of time crawling up my own ass creatively.
I grew up under Thatcher. I grew up believing that I was fundamentally powerless. Then gradually over the years it occurred to me that this was actually a very convenient myth for the state.
I arrived in Tokyo in around '81. Around that time, I visited London for about two months - it was the period just before Malcolm McLaren released his solo album Duck Rock. I'd met him when he came to Japan, so I visited him in London and spent one evening with him and his girlfriend over at his house. He told me, "London is boring right now. You should go to New York." So he called a friend in New York, who I think was an old assistant or someone who helped him record early hip-hop stuff over there.
If the police ever try to pick me up, Michael Jackson told me I can hide out at his house.
To see him there lifeless and breathless was very emotional for me. But I held myself together because I knew he's very much alive in his spirit, and that was just a shell. But I kissed him on his forehead, and I hugged him, and I touched him and I said, 'Michael, I'll never leave you. You'll never leave me.'
I'm mystified by the stuff that doesn't work. I'm mystified by what's going on in the critical side, too. Stuff I like is getting trashed and stuff that is being praised I think is terrible. I don't really feel in sync with what's happening, but at the same time, what I think keeps me afloat is that I try not to be, and don't want to be, very indulgent. I try to make the films as lean as possible, and to not spend a lot of time crawling up my own ass creatively.
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