A Quote by Nikki Jean

The music community in Minneapolis is really incestuous so I've gotten the chance to work with a gang of people who have worked with Prince, Mint Condition, got to spend some time with Mujah Messiah, Atmosphere, P.O.S., Rhymesayers, a lot of poets around there.
For the residents of Minneapolis, the loss of Prince is too large to describe. His music brought untold joy to people all over the world. But in Minneapolis, it is different. It is harder here.
It's a good community, country music, because we get the chance to sit down and... me and Tim McGraw spend a lot of time. Me and Kenny Chesney had the opportunity to spend a lot of time together. It's been a lot of great advice through the years.
Practically everybody I've ever worked with, I'd like to work with again. I had a great time with the people that I've worked with, and the directors, and a lot of the casts. There's really nobody where you'd say, "Oh, I got X, Y, and zed again! Gahhh, no!" It really brings a smile to my face, because in 95 percent of the cases, people I've worked with, I'd be thrilled to work with again.
I spend a lot of time working and with my family, so I don't have much time around the edges to do much else. I don't really listen to a great deal of music. I love music, but since I spend a lot of time in the studio, we probably watch a movie rather than listen to albums. I get to hear stuff, but not on the grand scale.
My life all-around is really different than a lot of other poets. Not poets that are parents, too, but just that I can hardly find anyone who works in the industries that I've worked in.
I do a certain amount of work in religious communities on these issues. It's not the central focus of my work but it is certainly an area where I have worked a lot. It has gotten much better over the years, especially over the last couple years. There wasn't a religious environmental movement 15 years ago, but there is now - in the Catholic community, the Jewish community, the mainline Protestant community, and in the Evangelical community.
We like the ambiance and atmosphere, and we felt really early that... I mean, of course, Air is an electronic band, but we are doing so many real recordings and the studio is so important for the sound. The acoustics create atmosphere and emotion. Also we want to be independent, we don't want to be obliged to go into a commercial studio and only stay one week because it's really expensive. We want to be able to give a chance to a song, and to spend a lot of time in the studio.
I think I'm really part of a whole generational movement in a way. I think a lot of other people since and during this time have gotten interested in writing what we can still call experimental music. It's not commercial music. And it's really a concert music, but a concert music for our time. And wanting to find the audience, because we've discovered the audience is really there. Those became really clear with Einstein on the Beach.
I think, like a lot of actors and people in the arts who are struggling to get where they want to be, you spend a lot of time sitting around grumbling about how you're not doing the kind of work you really want to do. But there's a lot of complacency in that, too.
Some folks call tennis a rich people's sport or a white person's game. I guess I started too early because I just thought it was something fun to do. Later, I discovered there was a lot of work to being good in tennis. You've got to make a lot of sacrifices and spend a lot of time if you really want to achieve with this sport, or in any sport, or in anything truly worthwhile.
I've been really lucky to spend some time around actors and artists I really admire. One thing I gathered from asking a lot of questions is that part of this job and this life we've chosen is doing personal exploration in front of an audience. In a lot of ways, that's what art is: personal searching with people watching.
If you spend a lot of time with activists, as I have, they're just ordinary people who instead of Netflix are getting together in church basements and making posters or making phone calls doing organizing work. It really is about finding a community of other people.
In the game, you've got some people who've got money, but their music is kind of off, their music is garbage. Then, you have people with good music, but they ain't got the biggest part: They ain't got the funds. But me, I'm just all the way around the board.
Music is a spiritual expression of what's in your heart. Music as a way of getting rich is a pretty new thing, and I often wonder if the mega-bucks glitzy atmosphere is making the quality of music suffer. You have to work really hard to get around that and remember why you're in it in the first place: because you have to be. It's like an addiction. You can't go a day without picking up your guitar. To me, the only commercial goals that are really valid are, 'Boy, I wish I didn't have to go to work. I wish I could do this all the time.'
I spent a lot of time, a lot of energy trying to be a better artist and I still [do]. I spend a lot of time focusing on my craft. If you're going to take your passion into something beyond just something for fun on the side, you got to spend a lot of time on it to be great, and then you've got to make smart decisions about who you collaborate with [and] where you live [to] put yourself in the right situations to meet the right people to catch those breaks.
Most of the people that I spend my time around are people who listen to a whole lot of different kinds of music.
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