A Quote by Nina Conti
With acting, I always felt like I didn't have control of it. It was all about other people giving me a job.
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I tell you, I've always been quite physical about acting. I've always felt about for the shape of someone or the deportment, for better or worse. Sometimes I think I've done it disastrously, and other times, when I'm not thinking about it so much, less disastrously, but I can't seem to control it much.
I think acting is a job where you're always unemployed. You're always looking for the next job, so I assume that it's like other jobs that are with that same kind of setup.
The NBA is a job. Just like any other job complaining about opportunity doesn't solve anything. The only thing you can do is control what you can control, and when you are at peace with the work you put in then you don't have any regrets and that's truly the main thing about this journey.
That point of life when I learned I could cook, that always made me understand what cooks felt like feeding other people. It's okay to receive, but it's really cool to give, so food is to me sexy because it's the fact that someone is giving it to someone else.
I'd say most definitely with my faith, there's no room for me with it. It's always about other people. It's always about loving on other people and giving praise where praise is due.
The enemies of acting are mood and attitude and other general homogenized disruptive entities. Whereas acting is about action - doing - and unless you can figure out a way to craft in an imaginative reality to which you don't submit, you're going to be out of control. You'll flip out. The job is to be surprised.
Your connection to other people keeps you human, and that connection, staying human - that's what you have against control. It's like if somebody is being controlled by their job, the connection is to their family. And if they stay connected to those people, the job will never really have control over them.
Acting was always something I pursued by myself. When we were in college, I took an acting class that I was so passionate about and devoted to, but I went to it privately and never really spoke about it. I'd have these ecstatic experiences in, like, a church basement and then never talk about it with other people.
The things you don't have control over, you don't worry about. I have control over my attitude, my perception, how I do things, and you do the very best job you can. Other people have control over other things and you let them do their jobs.
Powerful people do not try to control other people. They know it doesn't work, and that it's not their job. Their job is to control themselves.
I always think my job is like any other job. Every job has good and bad parts, and mine is to be a musician. I know why I started making music and I always knew there was no plan B. I'm passionate about it. I love being in the recording studio and researching sounds with the possibility of discovering something new. That motivates me.
The problem with acting is that there's really no control. You're at the behest of others. Everyone else decides if you did a good job and you have to wait for other people's permission to work as an actor.
I said what I felt, and people try to control people. But you can never control me. I'm a 31-year-old juvenile delinquent. Nobody can control me.
The good thing about acting is that it always keeps you on your toes... It's not like any other job where you can go in and do the same thing as yesterday.
I've been asked which of the other arts novel-writing is most like, and I have come to believe it is acting. Of course, in terms of pattern it can be like music, in terms of structure it can be like painting, but the job to me is most like acting.
Right before I got 'Sons of Anarchy,' I actually quit acting for 18 months and didn't read a single script, and I wrote a film. I felt like I needed to do something that I had control over, as an artist, and also just do something where I felt like I had some control over my life, as just a human, out in the world.
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