A Quote by Noah Hawley
I always feel like you can take a genre that has a familiar structure to it and then reinvent it as a character piece. Suddenly, what's old is new again. With 'Fargo,' I adapted a movie without any of the characters or the story. Yet somehow it feels like 'Fargo.'
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The most telling thing about 'Fargo,' both the now-classic movie and the television series, is that it doesn't take place in Fargo.
There are no characters in the limited series Fargo that are derived from the characters in the film Fargo. It's hard to describe how remarkably true to the film the show is.
I've always been really attracted to playing with structure. To take the story of 'Fargo' and break it up in such a way that's it's not linear, per se.
I feel like, when I play characters, I create a space in myself that feels like the character and that doesn't go away. Somehow, you carry that with you. You let it go, but a little piece of it remains.
I don't think they should trust anything that happens in 'Fargo' at all, and I'm sure 'Fargo' fans know not to make the mistake of trusting too much.
'Fargo,' man, with so many actors playing so many great characters, and then they do another season, and it changes all over again? It's wild.
Playing football in Fargo has a total big-time feel. Everyone says it's FCS and it's a smaller school, but in Fargo, North Dakota, and in the state of North Dakota, NDSU football is the real deal.
What I do is give Ennio Morricone suggestions and describe to him my characters, and then, quite often, he'll possibly write five themes for one character. And five themes for another. And then I'll take one piece of one of them and put it with a piece of another one for that character or take another theme from another character and move it into this character.... And when I have my characters finally dressed, then he composes.
There is a movie called “Fargo” playing right now. It is a masterpiece. Go see it. If you, under any circumstances, see “Little Indian, Big City,” I will never let you read one of my reviews again.
Wells Fargo's internal review only covers unauthorized accounts dating back to 2011. News reports and court documents suggest these problems might have existed long before then. The 2013 'Los Angeles Times' articles led to the L.A. city attorney's office investigation into Wells Fargo's sales practices.
I don't know if that's the best story for BoJack, long-term. I do love the world, and I love playing around in it and it feels like an elastic enough world that, any story I want to tell, I can tell about these characters in this world. I can talk about parents and children, husbands and wives, the troops, or Hollywood. It does feel like an endless playground at this point, it would be a shame if we cut it off early for fear of repeating the same things over and over again. But I am looking to move the story and character somewhat.
You always feel like your 18-year-old self in some sense. And that's what walking through New York on a June evening feels like - you feel like it's Friday and you're 17 years old.
You always feel like your 18-year-old self in some sense. And that's what walking through New York on a June evening feels like - you feel like it's Friday, and you're 17 years old.
It was funny how the old practices always came around again. It was the rhythm of human enterprise to invent and worship some new approach, to fully reject it a generation later, to realize the need for it again a generation or two after that and then hastily reinvent it as new, usually without its original elegance. Scientists hated to look backward for anything.
The 'Fargo' characters, they're the characters of my people. They're stoic, hardworking, uncomplaining, and I loved them.
People always seek to compare. They can take the new, but only if it is somehow connected to the familiar. We need that in our lives, the mix of the new and the old. But of course I'm flattered about the comparison with Old man and the sea. Hemingway is a great writer.
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