A Quote by Noam Chomsky
I don't say you're self-censoring - I'm sure you believe everything you're saying; but what I'm saying is, if you believed something different, you wouldn't be sitting where you're sitting.
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I don't want the government to be censoring people, I don't think there should be censoring boards, but I think that means that we the artists need to be very careful about what we're putting out and what were saying and how we're saying it. And I don't think we're being as careful as we should be.
I'm certainly not saying anything new, and I'm not even saying anything all that different from what everyone else I know is saying right now - I'm saying what millions of people are saying. I'm just saying it publicly.
I don't want to be someone sitting in my rocking chair at the end saying, 'Well, I passed.' My mum used to say life isn't for sissies.
Every time I'm in the studio, I always think of my professor in undergrad. He was like, "There are so many artists in the world. If you're going to be an artist, make sure you have something to say. Don't just be an artist and put out bullshit. Have something to say." I guess that would be my philosophy and something I think about all the time. Every day when I'm in the studio I hear him and I see him. I remember him saying it in class. So that's something that I always want to make sure I have: I'm saying something with the work.
You can be tweeting strangers and saying, 'Don't say that,' but are you saying that to your friends? How about your mom? Your boyfriend at the dinner table who says something homophobic? If you're not saying the same things in person that you're saying online, then what are your tweets doing?
I read an interview with a Japanese freestyle jazz musician once, and he said something like, "Everything I'm going to tell you is not going to be true." He's not saying, "I'm trying to lie to you." But he's kind of saying that you can never say what something really is.
I'm not sitting around saying, 'Man, I'd really love to direct a western.' That's just not something I'm probably going to do, mostly because I'm allergic to horses.
There's nothing worse than sitting down to write a novel and saying, 'Well, okay, I'm going to do something of high artistic worth.'
You have something to say. Something of your very own. Try to say it. Don't be ashamed of any real thought or feeling you have. Don't undervalue it. Don't let the fear of others prevent you from saying it... You have something to say, something that no one else in the world has said in just your way of saying it.
I think that's something that people don't realize enough about when they get into comedy - it's not just about sitting back and observing and saying something funny.
There's nothing worse than sitting down to write a novel and saying, "Well, okay, I'm going to do something of high artistic worth." It's funny.
I was really awful at auditions. There's something about sitting down and saying into the camera: 'I'm Nina and this is the name of my agent.' That makes me just die inside.
I was really awful at auditions. There's something about sitting down and saying into the camera: "I'm Nina and this is the name of my agent." That makes me just die inside.
My cognitive skills are a little suspect at times. It comes and goes on certain days. I can be sitting here and you might say what's wrong with him, and I'll figure out what I was saying and start going again.
You can't ask me to explain the lyrics because I won't do it...I always believed that I have something important to say and I said it. That's why I survived because I still believe I've got something to say. ... I don't like overdubs, never liked them. ... The music business doesn't interest me anymore...Don't the people you're around shape the music, is that what you're saying? Everything does. ... I'm not joking around when I've said occasionally, trying to learn how to play a D chord properly has been a very big thing for me.
I write most of my first drafts on an old manual typewriter, a really old one. It's a big black metal "Woodstock" from about 1920. I try to write everything down at once, in one sitting. The longer stories in this collection are divided up into sections. Each section represents a different sitting, a different idea for the same story.
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