Every movie I make I find kind of excruciating. I get a lot back from it, but I feel like I'm kind of always working at the edge of my ability. I guess that's what I'm looking for when I go to work. I am trying to become the edge.
It's really hard once you do reality to kind of get out of that stereotype. I'm hoping to break that.
Probably every band - you get back to like, The Stones are kind of the tough guys, Beatles are kind of psychedelic, Led Zeppelin was kinda mystical, The Who are kind of mods. You know, you just go right through. Everyone's kind of adopted their so-called persona or flavor if you will.
We've always been suburb people, and we lived in the East Bay when I was in Oakland. This time around, we're staying in the city, and my kids are getting that city life experience, which is something you don't get too much of in Alabama.
It's the typical mid-life crisis kind of thing, where you just stop and wonder, 'Should I go back to university and get a law degree?' I kind of looked around me and thought, 'What kind of idiot am I that I've just spent the last 10 years writing novels? Financially, I'm pretty much where I was when I was 28.'
I can express the brooding part of myself on-screen. It's kind of fun to get to do the bratty things I really wouldn't do. And then I get to go back to my regular life.
I have to be a freelance writer for the rest of my life, unless I get some kind of real lucky break. But other than that, I'll always have to work. I always worry about whether my stuff is going to get over. Will they like this, will they like that?
When United play at home, they get some advantage that other teams don't get. I think when you go to United, Madrid, Barcelona, or Milan, when the referees referee these kind of games, it's always difficult to go against these kind of teams.
And once you live a good story, you get a taste for a kind of meaning in life, and you can't go back to being normal; you can't go back to meaningless scenes stitched together by the forgettable thread of wasted time.
I always had a kind of strange relationship with New York City, with total love affair in the beginning then retreat during the kind of conservatives of politics and real estate and business came, and then I am again kind of fighting for the justice to the city, to open the city for the artists.
Well not really to get attention, but to entertain, but you know to show some elements of rural life as well, it kind of blended all in, its kind of like a mockery in a sense, kind of stab back at people that have those stereotypical ideas of the south.
It's kind of true that they just start making the same movie over and over again. It's also true that the times dictate what kind of movies get made and what kind are not. So I'm always looking for something that's a little fresh and something that I haven't seen before.
When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'
When I'm not working, I love going to the beach. I am from Florida, so I definitely love the beach life. I love horse-back riding. Just to go out to a barn, it's fun. It's kind of like a get-away from the city. And also, I love animals.
I always would be happy to make a character even more unlikable, but you know, there's a limit and if you go there, you get into a very different kind of movie, man.
Honestly, I think it's dumb luck that I'm able to kind of get away doing different types of films in different genres. There's always a tendency to kind of stick with what works, or stick with one particular kind of brand or movie. But so far I've been getting away with it, so I'm going to continue to do that for as long as I can.