A Quote by Norm MacDonald
There's no show business in Canada, so everybody just did stand-up and we all thought, "Oh, we'll just keep doing stand-up." And then I'm like, "There's more work in the States."
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I just like to build. Don't get me wrong: I think stand-up is great, and when someone like Richard Pryor or Steve Martin does stand-up, there's nothing better in the world. But I don't want to watch a lot of stand-ups for two hours. So I can do 45 minutes of stand-up and then say, 'Can we do something else now?'
No, I never really set out to be a stand up. I wanted to be a writer of some sort. I thought I'd do a bit of stand up and hopefully that will lead to stuff and little did I know it kind of snowballed. Before I knew it I was doing stand up 300 nights a year.
First they went after the Communists, and I did not stand up, because I was not a Communist. Then they went after the homosexuals and infirm, and I did not stand up, because I was neither. Then they went after the Jews, and I did not stand up, because I was not a Jew. Then they went after the Catholics, and I did not stand up, because I was Protestant. Finally, they went after me, and there was no one left to stand up for me.
My first time on TV doing stand-up, I actually did this show in Holland called 'The Comedy Factory' hosted by Jorgen Raymann. It was in 2006 in Holland. It was amazing. I had only been doing stand-up for four years, and I booked that gig through the Just For Laughs Montreal festival, and they flew me out and put me up.
I knew I wanted to be in comedy but the path of least resistance was doing stand-up in folk music clubs where I could get on stage. I guess you could get up no matter how bad you were and you didn't have to audition. You just got up. Everything else required an audition and if you auditioned for a TV show, you would stand in line with a hundred other people. But at the clubs, it was okay just to get up, so that's why I started in stand-up.
Yeah, I mean, I did regular stand-up for a long time. And I did - I stopped doing stand-up when I worked on 'Ellen,' which was for five years. So when I went back to it, I found that, like, regular stand-up didn't really do it for me anymore. It almost felt insincere, like I wasn't saying anything I actually really wanted to say.
I don't really like doing big stand-up. Whenever I do theaters, I don't like 'em. I don't think they're right for stand-up. I've seen people in theaters, and it just doesn't work, because you're talking to the guy next to you the whole time.
When I started in Canada, I just did stand-up.
But with 'Newsrevue' I started doing some characters, and I just loved how you were in control. You could write something that day and go and do it that night, rather than waiting for a job that involves other people. So I did character stand-up, and then proper stand-up, and I loved it; I got addicted.
I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.
I've seen many female comics that a lot of people haven't heard of who are so funny, and I saw them come up, and they were working so hard, and then all of a sudden they had a baby, and they just got tied up in motherhood, and eventually, they kind of just stopped doing stand-up, and I thought it was such a shame.
I grew up in a pretty strict household in the sense that we just didn't have cable, so I wasn't familiar with what stand-up comedy was. I remember telling my friends that I thought stand-up comedy was like the thing that happened before the episode of 'Seinfeld.'
I've been to Canada, and they love - oh my God, they love their stand-up comedy in Canada. I've been overseas to do shows for the troops all over the Middle East, and I actually went to China recently and did shows, not for the troops, but just for local Chinese people, and Americans that have moved there, and things like that. It was fantastic. They got it. They're way smarter than we give them credit for.
I liked horror and comedy, basically, from a young age, but I just ended up getting into comedy because there was - I could do stand-up comedy, and that was my way into this business, and then there was no stand-up horror, and I didn't know how to get into that world.
But long story short, I didn't start doing stand-up because I wanted to have a TV show or be an actor or even wanted to write sketch comedy. I got into stand-up because I love stand-up.
When I started comedy, I was a big Eddie Murphy fan. I thought if you did stand-up, you were supposed to know how to act, write, and host. I thought it was all one thing. That's why it doesn't feel like I'm transitioning to acting: because in my stand-up, I do characters all the time.
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