A Quote by Norman Lear

We all [Ed Simmons,Dean Martin and Jerry Lewis] started together, so there were no rules - anything we wrote became television. — © Norman Lear
We all [Ed Simmons,Dean Martin and Jerry Lewis] started together, so there were no rules - anything we wrote became television.
As a matter of fact, when people ask where my 'point of view' comes from, it was there in one of the first sketches we wrote for [Dean] Martin and [Jerry] Lewis.
We mocked that concept ['movies are better than ever'] by doing a sketch that was about a theater trying to get one customer to come in...and that customer was Jerry Lewis. It generated so much controversy that Dean [Martin] and Jerry [Lewis] had to apologize in a full page ad in Variety.
Ed Simmons and I became stars in the emerging medium of television. We were new and fresh, just like TV at the time, so we automatically became 'THE' comedy writers for television.
Next up [new TV stars] was [Dean] Martin and [Jerry] Lewis on 'The Colgate Comedy Hour.'
I guess the story that best defines us [with Bud Yorkin] and our relationship goes back to the [Dean] Martin and [Jerry] Lewis show. The four stage managers on that show became major TV creators and directors - John Rich, Jack Smight, Arthur Penn and Bud Yorkin.
The man who became a big influence in my life was Dean Martin. He started my career in Las Vegas. When I came to Las Vegas, he put his name on the marquee: 'Dean Martin presents Engelbert Humperdinck.' And I'm the only one he ever did that for.
We didn't know anything about comedy duos - Abbot and Costello, Martin and Lewis - we didn't know anything about that. Kim Fields showed us a tape of Martin and Lewis and their old shows and they come through the curtain so we started doing research on them.
When I started out, I tried out all my stuff on national television. There were no comedy clubs, but even if there were, I don't think I would have gone to them. I used to do stuff in the bathroom, and then I'd drive down to NBC and do it on 'The Golddiggers' with Dean Martin.
I started out just as Elvis was going into the army, Jerry Lee Lewis married his 14-year-old cousin, and Little Richard became a priest.
When I played Dean Martin, he was dead when we made the movie but there would have been nothing better than to spend a week with Dean Martin if I could have.
Johnny Mercer started Capitol Records, and he brought in Sinatra, Dean Martin, and Nat King Cole. He just let them sing whatever they wanted, and it became the best record company in America.
I literally went in and auditioned and got the part of "sounds like J.K. Simmons." I've heard people say a "J.K. Simmons type, but younger" or "J.K. Simmons, but with hair" or "J.K. Simmons but Mongolian." It's often "J.K. Simmons but...". You think you're on top of the world and they're asking for a "J.K. Simmons-type" and then, before you know it, they're asking for a "J.K. Simmons only younger." The next step is for a "J.K. Simmons-type...Oh, you mean he's still alive?"
[Dean Martin] is an absolute, unqualified drunk. And if we ever develop an Olympic drinking team, he's gonna be the coach... Dean Martin has been stoned more often than the United States embassies.
I started by writing, with my partner Ed Simmons, a monologue for Danny Thomas, that he performed at Ciro's nightclub in Los Angeles.
I heard Little Richard and Jerry Lee Lewis, and that was it. I didn't ever want to be anything else. I just started banging away and semi-studied classical music at the Royal Academy of Music but sort of half-heartedly.
I think Jerry Lee is sad. As a musician, he was far more talented than Elvis Presley. Everybody down in Memphis knows that. Elvis became a movie star because he was beautiful. Not that Elvis wasn't talented, but Jerry Lee Lewis was incomprehensibly talented as a musician.
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