A Quote by Norman Mailer

I did like Robert Vavra's book not only for its so very good photographs but for the text as well. He's no ordinary fellow, obviously. — © Norman Mailer
I did like Robert Vavra's book not only for its so very good photographs but for the text as well. He's no ordinary fellow, obviously.
Robert Vavra is one of these artists, part magician, part alchemist, who is able to create a series of photographs in unforgettable compositions. Only visible are the dunes, the blinding fields of flowers and the vast sky, the epic intimacy of Robert Vavra's vision.
I am a great admirer of Robert Vavra and love his beautiful photographs and books. He is a wonderful artist, a poet.
Since 1970, I've been using text and ephemera as well as photographs in order to tell stories of one kind or another. There's a thread that runs through all the work that is to do with bearing witness. The photographs are about asking questions, though, not answering them.
Good web text has a lot in common with good print text. It's plain, concise, concrete and 'transparent': even on a personal site the text shouldn't draw attention to itself, only to its subject.
Robert DeNiro, who may be the greatest living actor, usually acts in a way which is very stone-faced, like Steve McQueen. For example, Steve McQueen, if you cut the sound, you don't know what he's acting really. He gives to the lines, to the text, something very special, and he's very good. He was a great actor. But, to do a silent movie, you have to have more expressive actors.
I was pretty nervous when I met Robert Kirkman. It's very strange to meet someone who created you. Andrea [ from The Walking Dead] is still very much alive and kicking, seven years into the comic book, so to meet Robert and be like, "Hi, I'm Andrea," I had to just hope that he was happy with the decision.
I cannot understand it, after all I am only a very ordinary sort of fellow.
The familiar photographs that many people carry with them always obviously belong to the order of fetishes in the ordinary sense of the word.
During my lifetime I have met dozens of writers and photographers in dozens of different countries. But I have encountered no one who could both write and photograph with the artistry of Robert Vavra.
I think I have a pretty good ear. I mean, even just starting with, like, Austin Powers, where I did young Robert Wagner. People were, like, "How do you imitate Robert Wagner? What does he sound like? What does that even involve?".
A company can seize extra-ordinary opportunities only if it is very good at the ordinary operations.
My goal is to create a book where the entire book-text, pictures, shape of book-work together to create the theme. The placement of images and text on the page is crucial for me.
I like 'The Fault in Our Stars.' I thought those two guys did a really, really good job. The movie obviously did really, really well.
I really like the structure of my body. It moves well, it looks good, it photographs well, it understands gesture and nuance.
Books are good but they are only maps. Reading a book by direction of a man I read that so many inches of rain fell during the year. Then he told me to take the book and squeeze it between my hands. I did so and not a drop of water came from it. It was the idea only that the book conveyed. So we can get good from books, from the temple, from the church, from anything, so long as it leads us onward and upward.
Reading aloud sounds like a good idea, but honestly, it doesn't work very well. Good dialogue in a book doesn't actually bear much resemblance to real-life dialogue. For example, if you've ever seen a word-for-word transcript of people talking, it doesn't read off the page very well. The trick is to make it *seem* like it's being spoken, not to make it speakable.
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