A Quote by Nusrat Fateh Ali Khan

There is a famous musician, Peter Gabriel, who has used my voice in the movie, 'The Last Temptation of Christ.' He used my song in the background. — © Nusrat Fateh Ali Khan
There is a famous musician, Peter Gabriel, who has used my voice in the movie, 'The Last Temptation of Christ.' He used my song in the background.
I used to love Talking Heads, Peter Gabriel, and the Human League.
In Genesis we saw ourselves as song-writers. After Peter Gabriel left I was the first to say: 'It's OK - we can just do instrumentals.'
When I first used Auto-Tune, I never used it to sing. I wasn't using it the way T-Pain was. I used it to rap because it makes my voice sound grittier.
As a musician and a guitar player, I can noodle as well as anybody. But from my background as a session musician, I always try to play what is called for by the lyric and listening to the song. As a writer, that's what I do, too.
I'm used to being the background. I'm used to having work that only lasts for a little while. I'm used to being - working in the real world, where real things are.
Look at Jesus Christ. Every time he was in trouble he used the Word of God. When he was tempted he used the Word. When he was suffering on the cross he used the Word.
It's always interesting - how do you actually convey thought through song? We're used to the convention on stage. In film, we used to be used to it, and now sometimes it works and sometimes it doesn't. You need to be fresh and really look at the material.
I love Peter Gabriel, and I've come so close to working with him a few times. We were on a movie soundtrack together, but we didn't actually write together.
It's going to be used in the last days to get people to come against Christ, and that's the issue: they come against the Lord Jesus Christ. And in this new book, we show Christ coming to settle that big issue.
Don Quixote was a song for a 1969 Michael Douglas movie called Hail Hero! I wrote the title song for the film and they also used the Don Quixote one I had submitted.
I went to Juilliard in New York and used to do cabarets just for fun. Occasionally, I would get together with a jazz musician and play at a restaurant for cash. And I've done some background vocals for recording artists.
Peter stood, cleared his throat, and began to hum softly, then sing, slowly building up the song as his voice cleared. He found the old tune, the song of the Sunbird. And as he sung, as his rich voice echoed off the tall cliffs, the birds and the faeries lent him their voice and soon the tune drifted throughtout the garden.
The first jazz musician was a trumpeter, Buddy Bolden, and the last will be a trumpeter, the archangel Gabriel.
One of the songs we recorded for 'The Long Run' was called 'You're Really High, Aren't You?' Which never really made it onto a record, but later on, it became 'Heavy Metal.' I took that track that wasn't used, and when I was invited to write a song for that movie, I took that track and recorded that song for that movie.
Music, for centuries and centuries, was used to teach everything. It was used to teach language, mathematics, history. The news was music. Everything traveled by song. It was used to teach ethics. It was used to create conscience, probably more than anything.
This book was not written because I wanted to offer a supreme model to the man who struggles; I wanted to show him that he must not fear pain, temptation or death - because all three can be conquered, all three have already been conquered. Christ suffered pain, and since then pain has been sanctified. Temptation fought until the very last moment to lead him astray, and Temptation was defeated. Christ died on the Cross, and at that instant death was vanquished forever.
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