A Quote by Oliver Sim

I put things on shuffle a lot, which is probably why I don't have a very good idea of genre. — © Oliver Sim
I put things on shuffle a lot, which is probably why I don't have a very good idea of genre.
Beauty means a lot of different things to a lot of different people. A lot of different ways in which things can be beautiful. But this really has a very specific meaning and which is more along the lines of elegance which is that we say an idea is beautiful or elegant in mathematics or physics if a very simple principle or a very simple idea, or simple set of ideas, turns out to be very powerful and leads to all sort of unexpected structure and unexpected predictions.
In America, even the critics - which is a pity - tend to genre-ize things. They have a hard time when genres get mixed. They want to categorize things. That's why I love Wes Anderson's films and the Coen Brothers, because you don't know what you're going to get, and very often you get something that you don't expect and that's just what a genre's not supposed to do.
'Head Over Boots' is a shuffle, but it's more of a Motown laid-back shuffle than, say, a Dwight Yoakam shuffle.
I had a lot of issues with the genre, and I probably even had issues with the whole idea of genre. I was coming into it with a certain degree of outsider attitude, and I didn't have a long-term plan. But I think the way it's worked out, it's sort of warped into what I suppose you could say is my own genre. If people like my books, they have some idea of what the next one will be like.
I have one very basic rule when it comes to "good ideas". A good idea is not an idea that solves a problem cleanly. A good idea is an idea that solves several things at the same time. The mark of good coding is not that the program does what you want, it's that it also does something that you didn't start out wanting.
Usually a manager is put with someone who has got good rings skills, but is not necessarily good on the mic. So I have no idea why they put me with Steve Austin, he didn't need any help!
The really good idea is always traceable back quite a long way, often to a not very good idea which sparked off another idea that was only slightly better, which somebody else misunderstood in such a way that they then said something which was really rather interesting.
I usually write from the rhythm section...If a drummer got a funky beat on some things - like a half-shuffle or a shuffle or a backbeat that's even - I can write something.
In my mind, there's this one 'super genre,' which is the only genre that matters, and that's the super genre of good music.
I'm very lucky to be at this level and it is very hard to catch up. It is all about holding on and it is very important to learn from the other drivers. I tend to put a lot of pressure on myself, wanting to be very good very quickly, which forces me to up my game.
I tend to focus less on genre as a starting point and more on idea or intention and let the idea dictate genre.
A lot of things I am, and a lot of things I am not. But I think I'm about as good an American as there is. I love this country. It's been very, very good to me. And it will be good to anybody if they are willing to give of themselves.
I think comedy is a genre that has a lot of potential. It is a very content-driven film genre.
I'd love to have written a film and it to be regarded as good. I'd just like to be doing things that are good, really. I think that's all you can aim for. I find it odd when actors say they just want to do films or plays or television. A lot of films aren't very good; a lot of television isn't very good; a lot of plays aren't very good.
[Michael] Chabon, who is himself a brash and playful and ebullient genre-bender, writes about how our idea of what constitutes literary fiction is a very narrow idea that, world-historically, evolved over the last sixty or seventy years or so - that until the rise of that kind of third-person-limited, middle-aged-white-guy-experiencing-enlightenment story as in some way the epitome of literary fiction - before that all kinds of crazy things that we would now define as belonging to genre were part of the literary canon.
A lot of people in the adult population have a very limited idea as to why they are Americans, why we have a First Amendment or a Bill of Rights.
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