A Quote by Omar Sy
When I was young, a lot of things were closed off to me. I was always told, 'Don't do this, you can't do that' - instead of stopping me, it made me think, 'I can do that, I must do that.'
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His door is closed behind me. It's staying closed. He's letting me go. I think I've made myself very clear, but no ones stepping forward to stop me. A lot of you cared, just not enough. And that...that is what i needed to find out. And I did find out. And I'm sorry.
And I told you: I think of a photograph you took of me, up in Montreal. You told me to jump in the air, so in the picture, my feet are off the ground. Later, I asked you why you wanted me to do that, and you told me it was the only way to get me to forget about the expression on my face. You were right. I am completely unposed, completely genuine. In my mind’s eye, I picture myself like that, reacting to you.
I think the '80s created me, in a way, when I look back on that time, but I don't necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me - or I let happen to me - were about that decade.
My family were always there for me - they all had my back - and made me feel better to keep pushing. It made me think of all the hard graft I did as a kid with them taking me to training after work.
Having a support system is huge for writers. My parents were always encouraging and told me they were behind me, whether or not I made it in the business. My wife was always there for my successes and failures.
I feel Mehr has brought in a lot of changes in me. She has made me understand a lot of things and there's a lot of gratitude towards the universe and people now. It has made me a better person and a better performer. It has made me realise the value of family and of my own parents.
When I got traded to the Raptors Kyle Lowry told me, 'We expect you to average 15 points a game off the bench.' And I said, 'Perfect, so you need me here.' And that made me feel wanted. So once he put that expectation on me, it just made everything fall into place.
My entire life, people have told me that I couldn't do certain things. They told me I couldn't go to college. They told me I couldn't go to Yale, Georgetown, couldn't end up doing much on Capitol Hill. Couldn't be party chair. And my response has always been, 'Watch me.'
Yes,” I told him. “I think the guy playing the Pirate King was awesome.” He stopped where he was. “What?” I asked, frowning at the big smile on his face. “I didn’t say I liked the Pirate King,” he told me. “Oh.” I closed my eyes—and there he was. A warm, edgy presence right on the edge of my perception. When I opened my eyes, he was standing right in front of me. “Cool,” I told him. “You’re back.” He kissed me leisurely. When he was finished, I was more than ready to head home. Fast. “You make me laugh,” he told me seriously.
When you identify with an organization and you want to do stuff [but] you get this inexplicable 'no' - a lot of people get off the end and think, Well, God must have said no to me. No! The organization just said no to you. Find what it is that you were made to do and get on it! Go do what you were made to do.
The drawings that interest me most are made with closed eyes. With eyes closed, I feel my hand slide down on the paper. I have an image in mind, but the results always surprise me.
I never learned how to make music, play an instrument, then a lot of people told me things like "you will never succeed" and "it's just a dream" - anyway it made me much trouble, but in a way it made me work hard to become more than a dream.
I always thought when I was doing more melodramatic stuff like Everwood that the directors were constantly reeling me in and stopping me from being funny. I've always tried to find a funny angle on things, and 99 percent of the time, it just doesn't work.
Wenger gave me the opportunity to be where I am today. He's a coach that helped me a lot, who gave me a chance, who's always been there for me in the bad moments. He called me, consoled me, gave me good advice, told me what I had to do to become a great player. I can only thank him.
I failed to get into drama school, and my best friend told me I should do stand-up instead. I was always doing gags and voices, so he booked a gig for me without telling me. I only had four days to write it. I did a seven-minute set; the first four minutes were terrible, but the last two were amazing.
Nobody told me there was any idea for a sequel to 'The Exorcist.' But my agent called me to tell me they were going to do it, and there was a part for me. I said, 'But I died in the first film.' 'Well,' he told me, 'this is from the early days of Father Merrin's life.' I told him I just didn't want to do it again.
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