A Quote by Orlando Jones
With 'The Replacements,' it was insane. I'd never done a movie that opened up and made, like, seven million dollars. I'd never been part of, like, a four-day press junket for a movie that was international and domestic.
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I made 'Super' for $3 million, and that was filmed in 24 days. And that $3 million dollars went to a lot of things other than what shows up on screen. Once you get done with the unions and everything else, that's just, like, the basic cost of what you can make a movie for.
I've never been to anywhere in Africa except Egypt. We've never performed there, so I would definitely like to make that trip, probably to South Africa. I'd also like to score a movie from top to bottom. I've had songs in a bunch of films but never done an entire movie. I'd like to do that and have it to be a hit, too!
Matthew Vaughn phoned me up and he said, "Hey, listen, the movie has just done gangbusters. We've got to do the second one." And I was like, "Matthew, I have no second book. Dave and I haven't done it," and he's like, "You're kidding!" He said, "This movie's just made $420 million!" I was like, "...We've got nothing." So the amazing thing was, because we own the rights, we still get paid and everything, which is fantastic.
Interviews are usually a follow-up, like a press junket or a publicity junket, or something like that, and I’m not doing any of that right now. I don’t have any axes to grind.
Interviews are usually a follow-up, like a press junket or a publicity junket, or something like that, and I'm not doing any of that right now. I don't have any axes to grind.
My biggest emotional defeat and the greatest emotional pain I've had as an actor was when "Wild Wild West" opened up to $52 million. The movie wasn't good. And it hurt so bad to be the No. 1 movie - to open at $52 million - and to know the movie wasn't good.
With 'Carrie,' I did, like, seven auditions. I'd never done a movie, so they wanted to make sure I wasn't going to ruin it. I don't blame them.
'Anchorman' was never supposed to be a popular, like, hit movie. That movie was a cheap movie - it felt like we were working on a weird independent comedy in a way.
You don't have to make, you know, $3 Million dollars a movie, or $20 Million dollars a movie, but if you make a living doing what you love doing, then that's success to me.
You can take a handful of dollars, a good story, and people with passion and make a movie that will stand up against any $70 million movie.
'The Replacements' is where I met Jon Favreau, and we just clicked like, you know, like kids at a camp. And he wrote my next movie, which was 'Made.'
I spent money, and I kept thinking, 'I get one more movie and I'll wipe these bills out,' but that movie never came. That black pride, I said, 'Man, I'm going to hang in there, I'm going to pay these bills.' So you owe a million dollars. 'I can pay that.' OK, fines, fees, now you owe two and a half million. 'But I didn't do nothin'!'
I have to have everything in my life completely fixed and perfect and cleaned up and I have to be complete with everyone in my life and I have seven days in which to do that. So I might make it to day three or four, but I've never made it all the way to day seven.
After the make-up process, I was like, "I never want to do a sci-fi movie where I'm in make-up for seven months." It's interesting. It was my first time ever getting prosthetics. They put this goopy stuff all over your head and they tell you it's like a facial, but it's actually very claustrophobic. All they have are these places where your nostrils are and I kept thinking that they were closing up, but they were like, "No, we're looking at it." So, they made a mold of my face.
Along with loving the script, the reason I did 'Aeon Flux' was because I needed the job, and I couldn't find $5 million to make a movie independently - after making a fairly successful movie for a million dollars.
I've never been bothered by proximity to special effects and I've never felt disadvantaged by them. They're all part of a movie, and when the movie's under control I don't feel upstaged by them.
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