A Quote by Orson Bean

The TV show I do ['Dr Quinn'] is the day job that enables me to work with this theater [Pacific Resident Theatre Ensemble]. That's all I live for. That's what I care about. There's no dough in it. Nothing to do but lose money. But it's all from the heart, and that's why it's so much fun.
Money's never an issue. I can go and work for a small studio theatre somewhere if it's a play I really care about, or do TV or a big commercial West End show.
I know it's inevitable that there will be those who compare 'The Pacific' to 'Band of Brothers.' For years, the Pacific theater of war was not talked about as much as the European theater, yet it was part of the same war.
My theater nerd world and my comic friend world are colliding... That's the thing that I was nerdy about, was theatre. I wasn't as much into the comic book stuff. So it's fun to see there are people that are into that that are also theatre nerds like me.
You have been saying much about Dr. Carey and his work. When I am gone, say nothing about Dr. Carey; speak about Dr. Carey's Saviour.
I don't care what TV show you work on, even a movie for that matter, it's all about time and money eventually.
With the theatre, your whole day is geared towards the evening's show, and that's the job. People usually go to work about 9 and come home around 5, or maybe 7.
I gave myself permission to care, because there are a lot of people in this world who are afraid of caring, or afraid of showing that they care because it's uncool. It's uncool to have passion. It's so much easier to lose when you've shown everyone how much you don't care if you win or lose. It's much harder to lose when you show that you care, but, you'll never win, unless you also stand to lose. Don't be afraid of your passion.
Theater in Chicago will always be my first love. It started careers for me and about 50 of my friends. We all love coming back. As soon as the TV show is over, I'll be back in Chicago, doing live theater.
I come from the theater and you normally have four or five weeks to prepare. For me, the fun of the job is to pull yourself into a subject that you know nothing about.
Chicago theater vs. New York theater. There's just nothing to say about it really. If you've seen Chicago theater, you know that the work is true to what is there on the page. It's not trying to present itself with some sort of flashy, concept-based thing. It's about the work, and it's about the acting you're about to watch. So acting-based theater feels like it was born there to me.
As much as the mystery element is all a lot of fun, when you do go to 'Edwin Drood,' you're going to a theatre to see a show about going to a theatre and what that relationship between actors and audiences has been for years.
I can work every day of the year. TV is easy. My call's at 8:30 a.m. I'd like to break out of the comedy thing and take a shot at something serious like theater. The off-season allows me to do movies, but I'm not tired of TV yet. There's nothing like it. I've got the best of both worlds.
My return to the theater in New York was so specific. I didn't want it to be about leveraging my exposure or my fame, so the first show I did in New York was an ensemble piece at an Off-Broadway theater, and I wanted to make sure that it was just about the play and about the experience.
It doesn't matter if it's a school play or a dumb TV show. It's your work. You should care about it so much that people get annoyed with you.
For me, for every single job, I don't care if it is a reading, I don't care if it is a guest spot on a TV show, or a film. I always get the heebie jeebies.
First tweet, best tweet, I always think. I try not to work them too much or else they get Pie Dough Disease, which is where the dough has been to too much college and doesn't understand that it is dough anymore and refuses to be shaped. Pie Dough Disease! Poems get that too.
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