A Quote by Oscar Isaac

For me, with a character, you start with the shoes. — © Oscar Isaac
For me, with a character, you start with the shoes.

Quote Topics

I'll never forget my high school acting teacher, Anthony Abeson, who said, "It starts with the shoes." When I think about a character, it does start with the shoes: What kind would she wear? How would she walk in them? If I'm going to put on a dress for a role - I don't care if it's the hardest dress to put on - I have to put the shoes on first. The physicality leads me to the character.
Any character, for me, always comes together in the hair, makeup, and wardrobe. Shoes especially. For some reason, shoes really do it for me because they help me figure out how the character walks.
The clothes, the shoes, the gold belts and the necklaces always click me into the character, for sure. You could not feel the character, and then you put on the shoes and get the walk.
You’re allowed to believe in a god. You’re allowed to believe unicorns live in your shoes for all I care. But the day you start telling me how to wear my shoes so I don’t upset the unicorns, I have a problem with you. The day you start involving the unicorns in making decisions for this country, I have a BIG problem with you.
Well, I'm obsessed with shoes - small shoes, weirdly shaped shoes, hotdogs in shoes, things sliding in and out of shoes.
Shoes for men are about elegance or wealth, they are not playing with the inner character. That is why women are happy to wear painful shoes.
If you have a character stand up and put on her shoes and open the door, in order to do that, you're imagining her shoes and her clothes and her house and her door. The character becomes more real. But once you've done that, you can probably just get it all across with a couple of details.
I love looking and seeing what kind of shoes women wear. I think that tells me if a person knows what they're doing. To me, shoes are... If I like your shoes, and you're pretty, that's a good quality. As well as being confident.
I couldn't give away my husband's shoes. I could give away other things, but the shoes - I don't know what it was about the shoes, but a lot of people have mentioned to me that shoes took on more meaning than we generally think they do... their attachment to the ground, I don't know - but that did have a real resonance for me.
I believe in method acting. Whenever I'm working on a character, I start behaving like him. I start doing these things which the character would normally do. Maybe that's the way I function as an actor, and I believe in it. And that's how I try and portray a character.
When I think about a character, it does start with the shoes: What kind would she wear? How would she walk in them?
You want the audience to be in the character's shoes. The more deeply into the character's shoes the audience is, the more they're going to care about what's going on.
I always have to start with a character that I can really hook into, and then build from there. I have writer friends who start from a world, an object or some kind of concept that they then hone and widdle into a story. But, for me, it has to be a character that I can really sink my teeth into and live with, for months and months.
In every film, whether it's a fictional character or not, you create an idea of the character and for me I always do a bad impersonation to start with.
I like shoes. Always liked shoes. Wanted to be a shoe designer or somebody who made shoes, something in shoes.
I always wear the shoes of the character a week before going on set; the idea of just putting on a new pair of shoes on the first day of filming is just horrific.
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