A Quote by Pablo Neruda

Our love was born outside the walls, in the wind, in the night, in the earth, and that's why the clay and the flower, the mud and the roots know your name. — © Pablo Neruda
Our love was born outside the walls, in the wind, in the night, in the earth, and that's why the clay and the flower, the mud and the roots know your name.
Love is not a hot-house flower, but a wild plant, born of a wet night, born of an hour of sunshine; sprung from wild seed, blown along the road by a wild wind. A wild plant that, when it blooms by chance within the hedge of our gardens, we call a flower; and when it blooms outside we call a weed; but, flower or weed, whose scent and colour are always, wild!
The earth is rocky and full of roots; it's clay, and it seems doomed and polluted, but you dig little holes for the ugly shriveled bulbs, throw in a handful of poppy seeds, and cover it all over, and you know you'll never see it again - it's death and clay and shrivel, and your hands are nicked from the rocks, your nails black with soil.
I'm saying your name in the grocery store, I'm saying your name on the bridge at dawn. Your name like an animal covered with frost, your name like a music that's been transposed, a suit of fur, a coat of mud, a kick in the pants, a lungful of glass, the sails in wind and the slap of waves on the hull.
Love is born in sexuality but sexuality is not love. The lotus is born in the mud, but the lotus is not just mud. And if mud remains mud of course there are bound to be tears on the cheeks.
dive for dreams or a slogan may topple you (trees are their roots and wind is wind) trust your heart if the seas catch fire (and live by love though the stars walk backward) honour the past but welcome the future (and dance your death away at this wedding) never mind a world with its villains or heroes (for god likes girls and tomorrow and the earth)
My love for you won't stop with my leaving. Come an evening over the years, when you step outside your door and hear the wind blowing through the cottonwoods, that'll be me, thinking of you, whispering your name, and loving you.
The storm lashes us, out of the confusion of grey and yellow the hail of splinters whips forth the childlike cries of the wounded, and in the night shattered life groans painfully into silence. Our hands are earth, our bodies clay and our eyes pools of rain. We do not know whether we are still alive.
Like the lotus flower that is born out of mud, we must honor the darkest parts of ourselves and the most painful of our life’s experiences, because they are what allow us to birth our most beautiful self.
I think human beings must have faith or must look for faith, otherwise our life is empty, empty. To live and not to know why the cranes fly, why children are born, why there are stars in the sky. You must know why you are alive, or else everything is nonsense, just blowing in the wind.
Clay can be a metaphor for many things. I made it a metaphor for flesh and earth, and these are two kinds of generic givens of life, if you look at it poetically, biblically, the idea of the life of beings, of man, being transitory, the earth abides-ashes to ashes, dust to dust-man returns to earth, grows out of earth like a flower, wilts, goes back to the earth... We are frail, transitory creatures with aspirations of immortality, conscious of our inevitable death, and we have to deal with it somehow.
A flower is not a flower. It is made only of non-flower elements - sunshine, clouds, time, space, earth, minerals, gardeners, and so on. A true flower contains the whole universe. If we return any one of these non-flower elements to its source, there will be no flower.
At night I dream that you and I are two plants that grew together, roots entwined, and that you know the earth and the rain like my mouth, since we are made of earth and rain.
I have to understand the nature of change. And I cannot just work with stone or the more permanent materials. I need to work with leaves and ice and snow and mud and clay and water and the rising tide and the wind and all these.
Every soul on earth is equally precious, even those of plants and animals. If you see love in one area and not another, then you are not reflecting true love for all creatures on earth, only a deficiency in your senses. The light of love sees no walls.
What did I care about my hammer, about my bolt, about thirst or death? There was, on one star, on one planet, on mine, the Earth, a little prince to be consoled! I took him in my arms. I rocked him. I told him, 'The flower you love is not in danger...I'll draw you a muzzle for your sheep...I'll draw you a fence for your flower...I' I didn't know what to say. How clumsy I felt! I didn't know how to reach him, where to find him...It's so mysterious, the land of tears.
Love is the magician, the enchanter, that changes worthless things to joy, and makes right royal kings and queens of common clay. It is the perfume of that wondrous flower, the heart, and without that sacred passion, that divine swoon, we are less than beasts; but with it, earth is heaven, and we are gods.
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