A Quote by Paddy McGuinness
And when the kids were born, I had that strange working-class mentality of these kids are here now, I've gotta provide for 'em.
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You've gotta motivate kids. They wanna grow up. They got problems. You've gotta give 'em that music to make 'em feel like they're OK, and it's only a couple of artists that do that.
My father went to college for drama in Pittsburgh, and so did my mother, and then my mother was a steadily working New York theater actress. They kind of quit when I was born. They did that for, like, 10 years before they had kids and then I was born and they were not into that lifestyle for kids.
My kids are the most inspiring thing that pushes me. It used to be because they were born, and I had to take care of them. Now it's because my son raps, and he's better than me. So now I gotta keep up with him, you know what I'm saying?
I've been training fighters about 10 years. And I know I get the kids that nobody else is gonna want. I get kids who violated probation five, six, seven times. Their parents don't want 'em, the police don't want 'em - nobody wants 'em. And so I say, okay, I was like that. Nobody wanted me. Once I found out that a nobody could do what I did, I took a whole bunch of nobodies. When you take a nobody, they're open to anything, so that's what I started working with. I started working with the worst kids that nobody else wants to deal with.
You come out of a working-class environment, you know, working-class kids always put them themselves together because it's one of the only things they had. You had control of your image.
High school wasn't so bad though because, by then, I had worked out that there were far more nerdy kids and poor kids than there were rich, popular kids, so, at the very least, we had them outnumbered.
But when you talk about the education and you talk about the lack of recreation for kids to do, I mean, it's second to none in New Orleans when you talk about the lack of opportunities for young people. And it's not just black kids, it's white kids. It's Asian kids. I had Vietnamese kids in my class that had lack of opportunities.
We had a teacher, named Mr. Brown, and he was writing something on the board once - he was writing something on the board, and he farted. And you would have thought kids had seen the face of God. Kids weren't even laughing; they were just sitting there screaming, just screaming. Kids had to get carted out; kids were screaming. Kids had to get carted out, and they were going to the nurses' office. Kids are crying in the hallway. 'Oh, this is our 9/11.' And it was. It was their 9/11 'cause they never thought anything like that could ever happen.
My last kids were born when I was in my forties, so I still had little kids around me, which gave me the illusion of feeling younger.
I really look at my life before kids and after kids and before I was more - not narcissistic - but I was definitely more selfish. I didn't have the same concerns as I do now. I've always been political, but you've gotta be engaged. You can't be apathetic anymore because what's at stake is bigger than yourself, it's your kids.
My two boys were the same ages as the kids in the show. In real life or in between the breaks I was raising two kids off camera who were not unlike the two kids who were being paid to be my kids.
Over everything, over friendships or anything, is my kids - and obviously fighting for that belt is my kids' future. It doesn't sound too nice, but if my mom had the belt, she better give it up because my kids gotta eat. If I'm willing to fight my mom, imagine a good friend.
I had to call in because I do believe, I know of cases, it is happening that some of these kids that weren't born here but they've lived here all their lives, they are being deported. And I also know of cases where the kids are born here, they're American citizens, they're put in foster homes and their parents are deported, and their parents are begging to get their kids back. That actually is happening.
These were all middle-class kids from literary backgrounds, joining this sort of train going by, this pop train, jumping on. Whereas the rest of the rock scene, you'll find that there's mostly working-class people.
I'd say that kids working on sets, even if it's Bambi, need to be allowed to be kids, even if they're working, not become little adults - that to me can be distorting to kids as an experience.
I grew up in the '50s, in New York City, where television was born. There were 90 live shows every week, and they used a lot of kids. There were schools just for these kids. There was a whole world that doesn't exist anymore.
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