A Quote by Paloma Elsesser

I went to private school my whole life. Growing up in Los Angeles, you're surrounded by not just Connecticut privilege but, like, your-dad's-a-movie-star privilege. — © Paloma Elsesser
I went to private school my whole life. Growing up in Los Angeles, you're surrounded by not just Connecticut privilege but, like, your-dad's-a-movie-star privilege.
Growing up in Connecticut, all the Colonial houses looked alike. In Los Angeles, the diversity is so extreme, it's baffling.
If your white privilege and class privilege protects you, then you have an obligation to use that privilege to take stands that work to end the injustice that grants that privilege in the first place.
Los Angeles has always been overlooked as far as jazz, and just high-level music in general. But, like, my dad's a musician, so I've grown up around so many brilliant musicians that nobody outside Los Angeles knows about.
Especially growing up in Los Angeles, there's just a very different mind-set than my own. There's no 'Romeo and Juliet' in Los Angeles. There's 'Laguna Beach.'
I feel like I almost didn't grow up in the business, because my parents worked so hard at sheltering us from that. I was raised in Connecticut. And I honestly wasn't aware that my dad was a celebrity until I moved to Los Angeles a year ago.
I said, "OK, Ammon [Hennacy], I will try that." He said, "You came into the world armed to the teeth. With an arsenal of weapons, weapons of privilege, economic privilege, sexual privilege, racial privilege. You want to be a pacifist, you're not just going to have to give up guns, knives, clubs, hard, angry words, you are going to have lay down the weapons of privilege and go into the world completely disarmed."
I was raised in Connecticut. And I honestly wasn't aware that my dad was a celebrity until I moved to Los Angeles a year ago.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
Our kids are growing up with more privilege than we had; that's true for most of my friends in L.A. I don't know any actor who grew up with any particular privilege, so everyone wrestles with this. And I think, a lot of times, it's about being patient with your kids.
I have never been political, which for a straight white man that's kind of a byproduct of privilege growing up that I was kind of like, "Who cares who the president is, everything is coming up privilege." But now things are so scary and crazy and I have to say I'm not a fan of Trump at all. I don't agree with him in any way.
That's why you have to keep your mind open - so that you can be given the privilege to have five weeks in Japan and take all of that in. I mean, that's privilege to be able to do that. And you have to give that privilege back - it doesn't belong to you. It belongs to the madding crowd.
You don't necessarily have to do anything once you acknowledge your privilege. You don't have to apologize for it. You need to understand the extent of your privilege, the consequences of your privilege, and remain aware that people who are different from you move through and experience the world in ways you might never know anything about.
What we've established (in San Diego) with my growing family is hard to re-create. It's hard to up and re-create that. I know that moves are part of life. But that certainty is fair to say that (not being sold on moving to Los Angeles) is part of it. The good thing is I'm not under contract in a year where we'd potentially be in Los Angeles.
By the time I graduated from high school in Vancouver, I already had a whole support network set up for me in Los Angeles, so I just moved down.
Only Los Angeles could produce a creature such as myself. New York is a boutique city. You have to be wealthy and of privilege to be able to live comfortably there.
I came out to Los Angeles for a couple of meetings in the summer of 2005, and I ended up getting a movie called Firehouse Dog for Fox. And I thought, "Oh, man. I'm doing a movie. Maybe I'll work a lot more now. I'm an actor now." Then, for eight, nine months I didn't work after that. After that movie, I began to get some guest star roles, fairly consistently, but because I had been so presumptuous before in thinking that the other jobs would lead to something, I realized: "Just get up. Go to work. Go home. This is your job just like everyone else's job."
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