A Quote by Pamela Des Barres
November 18. . . I dig musicians, I feel they have the most to offer me mentally and emotionally because they think basically along the same lines that I do; extremely creative people. Music is Life. As Captain Beefheart once said 'God is a perfect musical note.
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I think the most important thing that I can offer young musicians is once you get up on the bandstand, understanding that you're now asking this prayer to come through you. When you think about music it's got to be that way. Just the thrill of being able to play another note, not to win anything or get a trophy.
When I was growing up, I was always looking for the most willfully uncommercial music: Whether it was Captain Beefheart or Frank Zappa or King Crimson, that's what attracted me.
Ireland, Italy and Brazil are the most musical places for me. They're extremely musical cultures and anything you pitch they basically catch.
Most people/musicians hear things differently and what might please one might not please another. One man's meat is another man's poison. Don't be afraid to dig, the most important people/musicians in my life always have. If you do decide to dig, don't always expect to come up with a clean face. It's o.k. The most important lessons to me have been learned by trial and error. All I'm trying to say is "try to find yourself," as I have.
It makes me itch to think of myself as Captain Beefheart. I don't even have a boat.
I think that anybody can go home, put the record on, and listen to it note for note, but there's very little entertainment value in that, I believe. When you give people something visually entertaining to watch along with presenting the music, I feel it makes it a lot more interesting.
I'm no ethnomusicologist. There is a connection between the five-note scale used both in traditional Chinese music and the blues, but I don't really understand it. All I know is, whenever I play with Chinese musicians, we seem to belong to the same musical gene pool.
The most important thing to do as an artist is to get out of your comfort zone and work with different people: people who can't read a note of music, people who have incredible classical skills, blues and jazz musicians, pop artists, visual artists, dancers and actors. Learn from people who are creative in a different way to you and you'll keep evolving.
Because I work so much, people think that I have a team writing for me, but that's not why I chose to write music for films. I chose to write music because I like to write music. So every single note that comes out of my studio is written by me, and I wouldn't be able to do two movies at the same time.
Once working people discover that, collectively, we have more power than we do as individual silos, then we become an incredibly powerful force. But I think that there are powers that be that are invested in us remaining divided along racial lines, along economic lines.
I think I was just lucky to be brought up in a very musical family. My two older brothers were, and still are, very musical and very creative, and music was a big part of my life from a very young age, so it is quite natural for me to become involved in music in the way that I did.
I feel dance and pop music genres are extremely female and extremely gay. When it comes to art and pop culture, queers are f - king weirdos. We don't have gender rules that tell us what we can and can't be. We just make it up as we go along. We have full creative license to be whatever we want to be.
Most people might think that I've come from a musical background, but nobody in my family was in any kind of band or played anything. I just picked up music from breakdancing really, that's what got me to listen to music, and in general I was just a creative guy.
I don't feel bound by the ebbs and flows of musical trends, or what's happening with new music in general. I always had a fascination with that sound. It's a mixture of the idea that something could be going wrong along with the idea of bending constrained, Westernized music out of tune. But because I wasn't copying an idea, and it just came from somewhere inside me, it felt like a birth of something that most people didn't understand at the time.
I'm the perfect amount of guarded. I don't reveal too much, and I never reveal who the songs are about. They are real life. People get that. I date a lot of musicians and they do the same thing. People that work with me - who I write about too - they get it. It's my creative outlet, my therapy.
Someone once wrote that musicians are touched on the shoulder by God, and I think it's true. You can make other people happy with music, but you can make yourself happy too. Because of my music, I have never known loneliness and never been depressed.
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