A Quote by Pankaj Tripathi
Commercial films give you a wide exposure. For 'Dilwale,' I got calls from countries like Oman. Its reach is huge. Similarly, doing independent projects satisfy the actor in you.
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I don't work for the commercial success of the film. I work to satisfy my producers who give me the money. I work to satisfy the director who has written a script for me. Of course, I have to satisfy the actor in me, but I want to satisfy them first.
In the beginning, it wasn't even a question of deciding I'm going to do independent film and not commercial films - I wasn't being offered any commercial films, and there wasn't an independent scene.
I used to do lots of independent films and for a while I was very content living in New York City and doing independent movies and off-Broadway theater. I loved it, I had a really good time doing that, and I worked on a lot of projects that are very dear to my heart, both plays and films.
As much as I like being part of commercial films that give me visibility with a wide audience, and love being the glamourous girl, at the end of the day, I am an actor, and nothing can be more satisfying than being appreciated for my craft.
I am a huge fan of Shah Rukh Khan; I have not missed any of his films since I got hooked to 'Dilwale Dulhania Le Jayenge.'
My forever mission is to take the best elements of both commercial and independent films and bring them together. I learned so much about the art of independent films and I have so much fun in commercial ones. I think that a mix of both is good.
Independent films, for the most part, to me, are not so independent. They often feel like people auditioning for a big commercial career. They often do not have independent spirit to them.
I admire actresses who are willing to jettison the easy route toward exposure and commercial success as an actor in favor or a slow burn, choosing projects carefully, and building an artistic practice over time that feels specific to who they are as artists.
So most of my acting experience came in college when I was living away from them. I acted in various independent films, and I got some commercial work and stuff like that.
I'm coming from an artistic background, from Europe, making films with Lars Van Trier like 'Breaking the Waves,' 'Dancer in the Dark,' all his films, 'The Kingdom.' But I like both, I like the totally artificial, commercial films where the actor has five or six bodyguards, I like that.
Most independent filmmakers in Britain and North America work for commercial crews and then have their own projects when they've got enough money saved up to do so.
Every actor's deepest desire is to reach a huge audience. So, I don't look down upon commercial cinema... there's a beauty in it that you understand sooner or later.
It's always been a lot of fun for me, just to be in films that people see and they connect to, big or small. The big ones tend to reach a wider audience, so it's exciting to feel like you've got fans in countries, all over the world, who are watching what you're doing. That's really great!
The vampire or the bad guy, that's what people do remember. Lars von Trier, like Guy Maddin, their films are made for a group of exclusive people who like special films. And they are special films, they are art films. And I started with commercial films at the beginning, and later on, because you know, when you are an actor, you have the same cliché like everybody else, you want to be in big films, you want to be known and all that.
Big films help your reach a wider audience, and doing independent films keeps your artistic side happy.
You see I don't like to be really too commercial about things but in this business you've just got to be commercial otherwise the films don't make money and you don't make films and as a long as a commodity is selling it's silly to kill it dead.
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