A Quote by Parker Posey
It's always the girl comedy and the guy comedy. It bums me out. You'd think there'd be a progression, from James L. Brooks and Nora Ephron into more subtle humor and behavior and psychology. All these interesting things people can learn about themselves by watching talented writers comment intelligently on someone else's emotional life.
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For me, my preference for comedy is grounding it in the psychology of the character, and not just kind of making faces. Even when it's a crazy character, grounded comedy resonates more with people because it doesn't look like you're watching someone do vaudeville. No offense to vaudeville.
I'm a big believer in comedy writers. I've always defended the honor of all comedy writers. It's extremely difficult, but I've always felt that comedy writers far more easily can move toward drama than vice versa.
I like comedy, but I like comedy as a device in drama. It's more interesting for me to use comedy to seduce people into thinking about something serious. If you want to hit a beat in a drama, you can distract people with a little comedy, and you can punch them in the gut with some emotion.
I think the best kind of comedy is the least self conscious. I think if you just sort of let the comedy happen without the elbow nudge, did you get it, did you get it. I love straight face comedy or subtle - relatively subtle comedy.
To me, real comedy comes out of behavior. It's the choices you make as an actor. It's never about, "I want to do a comedy script." I can't think of it that way. And besides, some of those movies, those comedy movies, I can't even watch them.
I love straight-face comedy or relatively subtle comedy. And then I turn around and I find myself doing very broad comedy but it's all fun and you have to keep your sense of humor and not take yourself seriously.
I probably prefer comedy. Why? I'm not sure. I feel like the energy of a comedy is a better fit for me. I try to be a happy guy! It seems that most of my life has the energy more for a comedy than for drama. I'm grateful to do both, but I would have to lean towards the comedy side of acting.
The author I wish I was reading right now and always is Nora Ephron. I love the humor, the awareness, the sense of self-deprecation. She is such a role model to me.
My favorite, and the author I wish I was reading right now and always is Nora Ephron. I love the humor, the awareness, the sense of self-deprecation. She is such a role model to me.
It's like with a girl: it's more fun to meet and slowly, gradually learn things about each other. A little mystery is always nice and it's interesting to still learn new things about someone you are involved with.
The only way I could get comfortable around people was to make them laugh. I was an obedient girl, and humor was my one form of rebellion. I used comedy to deflect. Like, 'Hey, check out my zit!' - you know, making fun of yourself before someone else has a chance to.
I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth.
My own inclination is to skew towards humor. They say that some people view life as a comedy, others as a tragedy. Me? Comedy all the way.
Comedy is a reaction to the world, and I think it really helps to be an outsider. I've always been very interested in people's behavior, to the point of being obsessed - seeing what people needed and reading them, I think that's the backbone of comedy.
I was a precocious only child, and then I went through a fat, awkward stage for several years, so I learned to fall back on my humor and personality when I was growing up. It's how you survive, so I think it was more of a natural progression for me, developing into comedy.
Humor is a blessing to me. My earliest recollections are of looking at something and seeing the lighter side. But it's always spontaneous. I couldn't write a comedy skit for someone else.
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