A Quote by Patricia Barber
I think I started to come into my own when I started doing more original material, and that, I think, culminated in 1998's Modern Cool. I insisted on going my own way. I think until you're more prolific, people don't trust that. So at first I think it was harder. They didn't know what to think, but as I continued along that path, they generally came my way.
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I think when I started modeling three years ago, it was just a job, and I was so excited - everything was so new, so crazy. I didn't overthink anything; I just did it and enjoyed myself along the way. But after a few seasons, you get used to it, and there's a lot you actually have to think about, and, I don't know, it just makes you much more aware of what you look like and what other people think. It's a bit of a nightmare.
I think when you get older, things come along that you know are a test in some way of your ability to stay with it. And when e-mail came along, I was just going to fall in love with it. And I did. I can't believe it now - it's like one of those ex-husbands that you think, 'What was I thinking?'
I'm not really an ideologue. I think I'm a person of common sense. I think more than anything else and I was a Democrat, I came from a place - you know, I lived in Manhattan. I started in Queens with my parents and then when I started doing a little better and better deals, I was able to get into Manhattan, I moved into Manhattan and in Manhattan you, you know, Republicans are not exactly flourishing. And so I started off as a Democrat like Ronald Reagan was also a Democrat.
I don't think it's unfair to have writers. I think if you're going to do a roast on television, as if you were doing a play or you were reading a script of a movie, you would have the best possible material. And those are the people who score, the people who are willing to listen to the roasting experts and then come out there and own that material.
Since my act is a goofy reflection of what's going on in my life, I started doing pot jokes, and I noticed that audiences invariably love pot jokes. Even people who don't smoke pot think it's a funny subject. So when I started getting laughs, I started doing more material about it. When people come to see my shows, there are a lot of stoners in the audience, but there are also a lot of people who just like me. So I try to give a healthy mix, where people aren't going "There are too many jokes about pot!" or "There's not enough jokes about pot!"
I have done much more dramatic work than comedic work, but I think comedy is harder than drama in a way. I think it's one of those things that's constantly discussed - people who do comedy think it's harder, people who do drama think it's harder. Usually drama is the one that gets this highbrow respect.
I know it is crazy, but I want to create a place where people can come in an organised way to think differently, to think their own thoughts.
If we think today the way TV is ordering us to think, we think of Einstein as someone modern. Stravinsky is modern music, but it came at the time of Birth of a Nation, which is an old movie.
I think the most important issue we have as a people is what we started, and that is to begin to trust our own thinking again and belive in ourselves enough to think that we can articulate our own vision of the future and then work to make sure that that vision becomes a reality.
Don't think in terms of comfort; think in terms of freedom. Don't think in terms of safety, think in terms of being more alive. And the only way to be more alive is to live dangerously, is to risk, is to go on an adventure. And the greatest adventure is not going to the moon - the greatest adventure is going to your own innermost core.
When doing a series, I look for something that has an idea you can think about, something that I'm noticing and aware of and thinking about, because when you're doing a series, you think about more than just jokes... you know, when you're doing a comedy, you think about what's going to reflect people's experiences, in a way.
People would think I wouldn't like Noel Coward. I think he was the original punk in a lot of ways. You know. Saucy. Doing his own thing.
I make my songs slightly abstract so that people can interpret them their own way. I think that's a lot more special, so you can hear a song and think, 'I feel exactly that way,' even if it wasn't written for that feeling.
I think there is a way to be formal and elegant and classy, but more modern. Brad Pitt has been changing it, and Will Smith has been doing it in his own way.
The razor-sharp line of division that exists between political ideologies in our own country in the United States, I think it's clear that these movements are forming - and one is more forward thinking and more embracing and more inclusive. The other is less tolerant and more judgemental and more fear-driven and fear-based. I think, you know, over the next generation, we're going to see which way we turn as a civilisation.
I think, for me specifically when it comes to music, I don't think that I need any persuading to think about it. It's always kind of in the back of your mind and - but I think it's part of who I am and always will be, I mean, in a very cellular way. When you grow up doing, you know, one thing, I think you get to this place where you want to try new things. And I do think that we live in the type of world where people get comfortable with you in one way, and so seeing you in a different way, it takes some time.
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