A Quote by Patricia Churchland

It seems that the brain has a "small world" architecture - or at least the cortex does. Everything can connect to everything else in a few synaptic steps. — © Patricia Churchland
It seems that the brain has a "small world" architecture - or at least the cortex does. Everything can connect to everything else in a few synaptic steps.
We live in the Age of the Higher Brain, the cerebral cortex that has grown enormously over the last few millennia, overshadowing the ancient, instinctive lower brain. The cortex is often called the new brain, yet the old brain held sway in humans for millions of years, as it does today in most living things. The old brain can't conjure up ideas or read. But it does possess the power to feel and, above all, to be. It was the old brain that caused our forebears to sense the closeness of a mysterious presence everywhere in Nature.
Does it follow that the house has nothing in common with art and is architecture not to be included in the arts? Only a very small part of architecture belongs to art: the tomb and the monument. Everything else that fulfils a function is to be excluded from the domain of art.
Six degrees of separation doesn't mean that everyone is linked to everyone else in just six steps. It means that a very small number of people are linked to everyone else in a few steps, and the rest of us are linked to the world through those special few.
Smell is the shortest synaptic leap in the brain to our memory, and I'm amazed that people don't sniff everything.
Greatness comes by doing a few small and smart things each and every day. Comes from taking little steps, consistently. Comes from a making a few small chips against everything in your professional and personal life that is ordinary, so that a day eventually arrives when all that's left is The Extraordinary.
Retreating from the world will not liberate you. Happiness is not found in a secluded forest hut or isolated cave. Enlightenment comes when you connect to the world. Only when you truly connect with everyone and everything else do you become Enlightened. Only by going deeply and fully into the world do you attain liberation.
Whatever you do in life, if you want to be creative and intelligent, and develop your brain, you must do everything with the awareness that everything, in some way, connects to everything else.
When everything else seems unclear, at least I'll know I do it for the joy it brings.
Nothing fortuitous happens in a child's world. There are no accidents. Everything is connected with everything else and everything can be explained by everything else. . . . For a young child everything that happens is a necessity.
God created paper for the purpose of drawing architecture on it. Everything else is at least for me an abuse of paper.
God created paper for the purpose of drawing architecture on it. Everything else is, at least for me, an abuse of paper.
The thing you realize when you get into studying neuroscience, even a little bit, is that everything is connected to everything else. So it's as if the brain is trying to use everything at its disposal - what it is seeing, what it is hearing, what is the temperature, past experience.
As the brain matures, one thing that happens is the pruning of the synapses. Synaptic pruning does not occur willy-nilly; it depends largely on how any one brain pathway is used.
I mean I think that when you've got a big brain, when you find yourself planted in a world with a brain big enough to understand quite a lot of what you see around you, but not everything, you naturally fall to thinking about the deep mysteries. Where do we come from? Where does the world come from? Where does the universe come from?
It seems like everything that we see perceived in the brain before we actually use our own eyes, that everything we see is coming through computers or machines and then is being input in our brain cells. So that really worries me.
Only when architect, bricklayer and tenant are a unity, or one and the same person, can we speak of architecture. Everything else is not architecture, but a criminal act which has taken on form.
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