A Quote by Patricia K. Kuhl

Babies all over the world are what I like to describe as 'citizens of the world.' They can discriminate all the sounds of all languages, no matter what country we're testing and what language we're using.
Languages like English, Spanish, and Chinese are healthy languages. They exist in spoken, written, and signed forms, and they're used by hundreds of millions of people all over the world. But most of the 6,000 or so of the world's languages aren't in such a healthy state.
My particular interest for the past couple of years has been to really think deeply about the big impendence mismatch we have between programming languages, C# in particular, and the database world, like SQL or, for that matter, the XML world, like XQuery and those languages that exist.
Bilingualism is not an imposition on the citizens. The citizens can go on speaking one language or six languages, or no languages if they so choose. Bilingualism is an imposition on the state and not the citizens.
Keep your language. Love its sounds, its modulation, its rhythm. But try to march together with men of different languages, remote from your own, who wish like you for a more just and human world.
One thing I can say about the French language is that no one in the world loves their language as much as they do. It doesn't matter if you're close - it still sounds terrible to their ears.
The difficult part was getting the people to change their habits so that they behaved more like first world citizens, not like third world citizens spitting and littering all over the place.
The biblical authors wrote of God's sovereignty over His world, and of man's experiences within that world, using such modes of speech about the natural order and human experience as were current in their days, and in a language that was common to themselves and their contemporaries. This is saying no more than that they wrote to be understood. Their picture of the world and things in it is not put forward as normative for later science, andy more than their use of Hebrew and Greek is put forward as a perfect model for composition in these languages.
I try to write each piece in the language of the piece, so that I'm not using the same language from piece to piece. I may be using ten or twenty languages. That multiplicity of language and the use of words is African in tradition. And black writers have definitely taken that up and taken it in. It's like speaking in tongues. It may sound like gibberish to somebody, but you know it's a tongue of some kind. Black people have this. We have the ability as a race to speak in tongues, to dream in tongues, to love in tongues.
I always say that my artist statement is to not be afraid to talk about the messiness - the unpleasant feelings and happenings around my life. I also try to convey what it feels like and sounds like and smells like and looks like inside of my particular skin, to move through the world as a black American woman in her mid-twenties. Language from songs and TV shows feel integral because it helps to create the environment and describe the full picture.
An American customer can book in English all over the world, but also, somebody from Japan or China can book in their own language everywhere. We translate all of our content into these languages, and that's quite unique. We service our direct customers - the innkeepers - as well in their own language.
I can't discriminate? Oh, that's ripe, coming from a straight white man. What's the matter, baby doesn't feel like he belongs? Well why don't you try a place that was set up just for you? Like the world!
I work in Hebrew. Hebrew is deeply inspired by other languages. Not now, for the last three thousand years, Hebrew has been penetrated and fertilized by ancient Semitic languages - by Aramaic, by Greek, by Latin, by Arabic, by Yiddish, by Latino, by German, by Russian, by English, I could go on and on. It's very much like English. The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages. Every language has influences and is an influence.
Our thoughts, our language, are always at a distance from whatever they're trying to describe. We're dreamers and - since we only have one life, and if we screw up we can get in a world of trouble - we're very intense dreamers. That's the beauty and the terror of being human beings: We just have these symbolic languages, these dreams, and that's all it ever is. There is no American or Frenchhistory. There are all these dreams that are floating around. People construct them and fight with them and criticize them, and the world goes on. I don't think the stars pay much attention.
Where in the world have you seen construction people who do everything on time, with good quality and at minimal prices? Just give me one country like that. A country like that doesn't exist in the world, you know. There's not one such country anywhere in the world.
The wonderful thing is, imagination is universal all over the world, no matter what the language is.
I start by using Chinese and many of the sounds of other languages are similar.
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