A Quote by Patricia Piccinini
I think people perceive my creatures as absurd because they look different, but at the same time, they are a little bit familiar. I want people to feel a kind of empathy with them. When you think about it, all nature is kind of strange looking.. in fact, I'm a strange a looking creature.
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I find it strange the way human nature wants heroes and yet wants to destroy their heroes. It's a kind of mass insecurity people want something to look up to and get a buzz off but, at the same time, want to destroy it because it makes them feel insecure.
I worked with and became close with these characters [in Twilight] and the people who are portraying them and it's kind of, I think, a safety net that we had, and it's going to be kind of strange not going back to set with these people that I've become so familiar with.
Funny enough, if you are looking at people these days who are putting Botox in their face and getting all sorts of plastic surgery, we look at them and go, I can tell you've had Botox. I can tell you've had plastic surgery. You look really strange to me. But no one's saying anything. We're just accepting the fact that they're strange-looking.
I never finished looking at Twitter happier than when I've started looking at Twitter. And it's not because of abuse or anything. Even just refreshing what people are saying about you, I don't think is a healthy way to kind of perceive yourself.
I feel like you have to earn something with an audience. If I just did it now, I think producers on any superhero movie, I think they wouldn't trust me to do it the way I'd want to do it, because I'd want to do something basically really strange. I think you have to earn that freedom to do stuff like that. So I think, if I keep kind of chipping away, trying to do good movies and interesting, strange movies then people will eventually trust you to do that on a bigger scale.
I think a lot of people, when they think about the house, they think of the print. But when people think about Emilio Pucci, I want them to think about this really, really hot girl, so my biggest job is to give her a face and an identity - and I do that by trying to associate that kind of print that people have in their minds with a kind of girl who is free-spirited, rebellious, a little bit rock 'n' roll, and who has a lot of energy, who is up.
I think that we are in a very strange time, when everybody is thinking about what is going to happen, and everybody is kind of cleaning house a little bit. In the fashion world, we are doing something similar. We are taking the fake out and being a little bit more real and simple.
Truth is, I think naked men are kind of strange looking what with their doodles and ding-dong hanging loose like they do. Nevertheless, there's the curiosity thing. I guess it's another one of those car crash experiences, where you feel compelled to look even if you know you'll be horrified.
Being in South Africa, that messed up my body a little bit. I broke out in spots, and I got really dehydrated, and the water was really different. It was really strange, because you're on the other side of the planet, and you think, 'Oh, water is the same everywhere,' and it is, but it still felt strange.
I was never conscious of filming except for when I was location scouting. In a way, that is the most important part of the entire process - and the most private. I'm so used to doing that alone. Unlike every other part, it's just me, alone, on location.It's very hard to describe what I'm looking for - something that feels both familiar and strange at the same time. It's not enough for it just to be strange or mysterious, it also has to feel very ordinary, very familiar, and very nondescript.
It's strange, because it seems that society is kind of promoting or nurturing this kind of ostracized existence. People are kind of very much in their own little worlds.
When you start to think about politicians, you've got to realize these are strange creatures. Other than the fact that they can't tell directions, and they have very strange breeding habits, how do you actually work with these things?
I've had people hate me for my appearance. I think it gets me a certain level of empathy with the audience. If I was white and handsome and privileged, I probably couldn't talk about what I talk about because people wouldn't believe that I have empathy or I could be evenhanded and objective. It's strange.
I didn't want to be looked at. I remember when I was six or seven asking my mom why people were looking at me. She said, 'They're looking at you because you're a beautiful little girl.' But I didn't believe her. And yet I put myself in a business where people have to look at you. I think I learnt to block it out.
It puts you in a kind of a strange situation where everybody is looking at every little thing you do.
We've become so postmodern as an audience and we're so familiar with the style of horror movies that they all kind of feel the same. I think if you can do something a little bit unexpected, then you as a filmmaker end up being one step ahead again. I think that's the key.
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