A Quote by Patrick Swayze

What's powerful about a love scene is not seeing the act. It's seeing the passion, the need, the desire, the caring, the fear. — © Patrick Swayze
What's powerful about a love scene is not seeing the act. It's seeing the passion, the need, the desire, the caring, the fear.
I'm sure my mum was a huge influence on my wanting to be an actress: just seeing her doing it, seeing her love it, caring about it. Invest in something, take it seriously and be so wonderful.
I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.
And that desire-the strong desire to take pictures-is important. It borders on a need, based on a habit: the habit of seeing. Whether working or not, photographers are looking, seeing, and thinking about what they see, a habit that is both a pleasure and a problem, for we seldom capture in a single photograph the full expression of what we see and feel. It is the hope that we might express ourselves fully-and the evidence that other photographers have done so-that keep us taking pictures.
I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.
The finest act of seeing is necessarily always the act of not seeing something else.
I've grown up seeing the pros and cons but I love it and I've always wanted to act. Throughout all the rejections at auditions, and especially when I finally did get something, both my parents have been so supportive and always told me it is all about passion and, if I was doing it because I love it, there's no wrong choice.
You're wrong means that I don't understand you, I'm not seeing what you're seeing- and I'm not seeing all of you there is to see. But there is nothing wrong with you. You are what you need to be, doing what you need to be doing, and although I may take steps to protect myself of others, I do not know all and therefore am literally inadequate to judge.
I love more than anything looking at a movie scene by scene and seeing the intention behind it.
I make spaces that apprehend light for our perception, and in some ways gather it, or seem to hold it...my work is more about your seeing than it is about my seeing, although it is a product of my seeing.
To me, the thing love and cinema have in common is that they are about seeing. The greatest act of love you can give to anyone is to see them exactly as they are. That's the greatest act of love because you wash away imperfections.
Faith is lifeless unless you act on it. T.L. Osbourne says: “When the promises of God are believed and acted upon they become the power of God”. We can do all the things we have previously talked about about: desire, decision, prayer, speaking faith, seeing the answer, but if we don’t act our faith it is all to no avail.
I love more than anything looking at a movie scene by scene and seeing the intention behind it. It allows you to really appreciate the hand of the filmmaker.
Timeless awareness occurs to very few in this world, to step beyond the circle of fear. The body has created a magnificent arena of fear. We have developed ways of seeing life that exclude us from seeing life.
Once you've seen certain things, you can't un-see them, and seeing nothing is as political an act as seeing something.
What counts isn't being able to do a thing, it's seeing what it is. Seeing is the decisive act, and ultimately it places the maker and the viewer on the same level.
Seeing into one's self-nature is seeing into nothingness. Seeing into nothingness is true seeing & eternal seeing
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