A Quote by Paul Dano

You try to get to know your character as best as you can before you start filming - whats written and not written. — © Paul Dano
You try to get to know your character as best as you can before you start filming - whats written and not written.
You try to get to know your character as best as you can before you start filming - what's written and not written.
I know it's boring to say this but I always start with the script. I mean if it's well written and it's a character that I haven't necessarily played before.
I'm never happy with what I've written. You imagine, before you start, there's a cathedral, and the moment it starts on the page, it's a garden shed. And then you just try to make it the best shed you can.
I never felt like a happy-go-lucky ingenue to begin with. And parts are written better when you're older. When you're young, you're written to be an ingenue, and you're written to be a quality. You're actually not written to be a person, you're written for your youth to inspire someone else, usually a man. So I find it just much more liberating.
Before one is successful that is before any one is ready to pay money for anything you do then you are certain that every word you have written is an important word to have written and that any word you have written is as important as any other word and you keep everything you have written with great care.
A lot of times, scripts are written so the character is all one way. Even with 'Bringing Out the Dead,' the character was written a little more generic.
I abhor badly-written characters and any character, be it man, woman, any character in the film. If it is a well-written character, it will come across as strong.
You know that something is really well written when you have to think so little about the words that are coming out of your mouth and you're able to dwell in your own headspace to get there. It's very easy to recall and remember because it's written so well.
Well, I hate it when authors come into a school and they say to kids, 'Write from your heart, only write what you know, and write from your heart.' I hate that because it's useless. I've written over 300 books - not one was written from my heart. Not one. They were all written for an audience, they were all written to entertain a certain audience.
Most of everything I've ever written actually was written on acoustic. 'Do You Feel' was written on electric. 'I'm in You' was written on piano.
Some people manage their writing by saying, 'I need to get 2,000 words written today,' others by saying, 'I will write for X hours.' Not me. I start with a plan for the book, break it down into scenes, and I know what scenes need to get written each day. If the scene takes more words than I thought, so be it.
It was really written as most, I think, books are by writers - for themselves. There was something that just had to be written, in a way that it had to be written. If you know what I mean.
You don't have to try to get a job and go through set steps before you start a career or start your life. That's what I want young girls to know - you can do anything you want. Just start.
I hadn't written a love story before and I hadn't written a novel with a happy ending before.
Guy Gavriel Kays Tigana is, in my opinion, one of the best, if not the best fantasy novel ever written. Its beautifully written, the characters are unforgettable, the worldbuilding is exquisite.
Guy Gavriel Kay's 'Tigana' is, in my opinion, one of the best, if not the best fantasy novel ever written. It's beautifully written, the characters are unforgettable, the worldbuilding is exquisite.
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