A Quote by Paul Greengard
Science is not the glamour that's portrayed in films. It's a lot of drudgery work, along with the wonderfully exciting periods when you discover something.
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I define science fiction as the art of the possible. Fantasy is the art of the impossible. Science fiction, again, is the history of ideas, and they're always ideas that work themselves out and become real and happen in the world. And fantasy comes along and says, 'We're going to break all the laws of physics.' ... Most people don't realize it, but the series of films which have made more money than any other series of films in the history of the universe is the James Bond series. They're all science fiction, too - romantic, adventurous, frivolous, fantastic science fiction!
Do you have a passion for what you do and do you love what you do? If you don't, then it can be drudgery, it can be hard, it can be work. But when you find something that you enjoy a lot, then you're more willing to sacrifice a lot of things in order to be successful as a teacher.
My science teachers always encouraged their classes to 'go out and discover something' because all scientific endeavors depend on observation and experimentation. Through such pursuits, anyone can find something new to science, and if it's truly novel, the entire edifice of science might have to be restructured.
Two words guided the making of 'Babel' for me: 'dignity' and 'compassion.' These things are normally forgotten in the making of a lot of films. Normally there is not dignity because the poor and dispossessed in a place like Morocco are portrayed as mere victims, or the Japanese are portrayed as cartoon figures with no humanity.
I've gone through long periods of time when there's no work for me. You wait for the next job to come along, and when it does, there's never a consideration about whether you do or don't do something.
I feel glamour has a legit place on the ramp and in the fashion world. In films, glamour has to service the story.
The resolution of revolutions is selection by conflict within the scientific community of the fittest way to practice future science. The net result of a sequence of such revolutionary selections, separated by periods of normal research, is the wonderfully adapted set of instruments we call modern scientific knowledge.
A conclusion I’ve come to at the Idler is that it starts with retreating from work but it’s really about making work into something that isn’t drudgery and slavery, and then work and life can become one thing.
I'd really love to work with Quentin Tarantino. There's so many people that I'd love to work with, but there's something about Quentin, and one of my all-time favorite films is 'Kill Bill.' Something along those lines would be such a blast.
I couldn't get a job acting all the time and there were down periods where I could take photographs or paint. I got into a lot of trouble when I was young, from making two films with James Dean, watching him work and then him dying and thinking I could turn down work. There was a big difference, he was a star and I wasn't. So I got in a lot of trouble and was essentially banned from Hollywood.
It was tremendously exciting to discover that science was not destroying religion, as people popularly believe, but that it could cast light on theism and Christianity.
Drudgery is one of the finest touchstones of character there is. Drudgery is work that is very far removed from anything to do with the ideal - the utterly mean grubby things; and when we come in contact with them we know instantly whether or not we are spiritually real.
Romance doesn't have to be portrayed physically. I love being part of romantic films, but I wouldn't venture into something I'm not comfortable with.
There are stories to be told that are still untold and characters to be portrayed that haven't been portrayed correctly. So there's work to be done.
You just go through a certain kind of drudgery every time you have to look for something. I've got certain things grouped by now, but there's a drudgery in finding them. There's always stuff missing.
To discover the laws of operative power in material productions, whether formed by man or brought into being by Nature herself, is the work of a science, and is indeed what we more especially term Science.
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