A Quote by Paul Guilfoyle

It's exciting to think that something I'm involved in is touching so many people in so many cultures. — © Paul Guilfoyle
It's exciting to think that something I'm involved in is touching so many people in so many cultures.
It's not as though there aren't many, many art works and many other cultures, but there was something special about the civic nature of the Greek theater. All the citizens stopped working. They came into these theaters. It wasn't like a Broadway theater where you sit in the dark and you expect to be passively entertained. You're in this theater, amphitheater, in bright sunlight looking at your fellow citizens, recognizing their faces, and thinking with them about the future of your city. I think very few cultures have had a theatrical tradition that is quite so civic.
I always have a positive reaction to Times Square - you've got so many people passing through here, so many cultures, and so many people merging into the central community of New York City. This is the hub of America.
I had written many things as a journalist, but I had no idea if I could write something scary or romantic or touching that wasn't me writing about someone else's life story. It was really exciting to try.
For me, it's about touching as many people as I can and helping as many people as I can with my music.
Making clothes that everybody can wear is also something that stimulates me a lot, because I have this edgy, fashion-y part, but I am also totally involved with a brand that is about how people dress, and what they want. And it's a whole other look you can have on the street. It's exciting because it speaks to the other part of my job and what my passion is. A designer wants to make something useful for as many people as possible.
I'm inspired to write songs in many different ways - it can come from a melody, a word or phrase or something I have seen on my travels around the world. It's one of the great bonuses of my job in that I get to meet so many people and experience different cultures and it would be hard not to be inspired.
When we come back to fantasy, I think we're actually coming back to the real bedrock of storytelling. Our national or international genre really is fantasy, if you think about the worldwide myths and legends and stories that we all know, whether we're talking about Little Red Riding Hood or the Arabian Nights or Noah's Ark or Hercules. These are stories that cross many cultures in much the same way that dragons cross many cultures.
I think that all people are many people. I think all people have many, many, many different souls inside, and they just shift from one to the other.
In addition to the original Executioner series I have also written a number of other works with diverse taste, even poetry. None, however, have provided the pleasure of touching so many people from so many lands as have the Executioners.
I like the feeling of making things. It's very very rewarding. And filmmaking is that type of experience, where you're forced to collaborate with so many people. You're involved in the beginning to end, you're involved with so many elements, and when it's done, you're like, 'I made this movie.'
What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.
We still have so many cultures in which people are imprisoned and whipped and killed for writing what they think.
There are so many people, so many artists, so many magazines, so many theater companies, so many people trying to raise money for so many things that it's easy to look around and just feel powerless or helpless, because even if you have some resources, you can't help everybody.
There are so many actors that I've worked with that I'd like to work with again and there are so many girls. So often when you're up for a role, you're the only girl, and people think that a positive thing: "You get to be the only girl here!" That's not an exciting kind of idea to me.
New York is like a melting pot: so many different people, so many different cultures.
There are many, many types of books in the world, which makes good sense, because there are many, many types of people, and everybody wants to read something different.
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