A Quote by Paul Laffoley

I was always doing paintings. I actually started painting with oil paints when I was four years old. Not crayons, not pencils and that kid of stuff. I'd paint birds. Anything that moved, stuff like that.
I used to do stop motion in my own garage and Claymation and all that stuff. That led to doing backgrounds and matte paintings. I started doing matte paintings professionally back before the computer, sort of painting on glass.
My daughter loves to do art stuff. As a father, I like to play with her. We break out the big pads of paper and the glitter and all the stuff. She likes to do what she likes to do. I want to do something, too. So I've just started using her same materials - a lot of crayons, a lot of sparkle, charcoal, pencils, markers and glue.
I'm fairly comfortable in fight sequences and stuff like that. I've done a few of them. I'm comfortable with that sort of stuff as long as I'm reasonably fit, and it's fun to do actually. I'm like a kid in a toy shop doing that stuff.
I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting. Like finding some imaginary computer painter, or a robot who paints.
My dad's an actor. Ever since I was little, I'd watch him do it, and I was always very into it. I got into when I was about two years old. I started out with print work, doing modeling and stuff. Then I got into commercials and TV. Once I started, I loved doing it. It's just something that I've continuted over the years, and I love it.
My parents moved to American Samoa when I was three or four years old. My dad was principal of a high school there. It was idyllic for a kid. I had a whole island for a backyard. I lived there until I was eight years old and we moved to Santa Barbara.
When I started working at Pictures On Walls, I'd been hanging out with Banksy for a few years travelling around the world together painting stuff, and then we moved into a new office and wanted to do screenprinting.
I never had the exposure to techniques and so forth that children have today with art workshops, but I always had crayons and pencils and still have work going right back to when I was five or six years old.
I never had the exposure to techniques and so forth that children have today with art workshops, but I always had crayons and pencils and still have work going right back to when I was five or six years old
I actually started singing country music at 4 years old, right when I started learning how to sing. I would cover a lot of Martina McBride, LeAnn Rimes, Trisha Yearwood, that kind of stuff, and it just feels very authentic to me. It's always been there through the years. Even when I was in my band, I still listened to country.
I fell in love with the ocean when I was just a little kid, four or five years old, I was a junior ranger, I was going out and doing intertidal stuff, walking around and sticking my finger in my first sea anemone and picking up starfish and all that. It gripped me when I was young.
I was selling stuff probably since I could remember, like 6 or 7 years old. I was always out there helping my mom and dad sell watches, glasses, CDs, DVDs, stuff like that. Whatever we could put our hands on. I did it until I was around 17. But I was just doing it because I had to. There was no other option.
The muscularity in my paintings is only an expression of the spirit within. When I paint Nephi, I'm painting the interior, the greatness, the largeness of spirit. Who knows what he looked like? I'm painting a man who looks like he could actually do what Nephi did.
When I started to do these Pop paintings seriously, I used all these other paintings - the abstract ones - as mats. I was painting in the bedroom, and I put them on the floor so I wouldn't get paint on the floor. They got destroyed.
One of my earliest ventures was when I was nine years old. I realized there was a shortage of pencils at school, so I started Rent-a-Pencil. But I made a fundamental mistake. Everybody stole my pencils.
I was an abstract expressionist before I had seen any abstract expressionist paintings. I started when I was a kid and continued just doing abstract stuff all through high school.
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